Sopron, Hungary. Holocaust memorial monument. László Kutas artist, 2004. Photo: Samuel Gruber 2022. |
Sopron, Hungary. Holocaust memorial monument. László Kutas artist, 2004. Photo: Samuel Gruber 2022. |
Sopron, Hungary. Holocaust memorial monument. László Kutas artist, 2004. Photo: Samuel Gruber 2022. |
Sopron, Hungary. Holocaust memorial monument. László Kutas artist, 2004. Photo: Samuel Gruber 2022. |
Hungary: Sopron's Holocaust Monument and Memorial Plaques
by Samuel D. Gruber
I came to Sopron, Hungary, in June primarily to see the two surviving and partially-restored 14th-century synagogues, about which I’ve written in passing but had never seen in person. But I also wanted to see up close the evocative Holocaust memorial monument designed by Hungarian artist László Kutas and erected in 2004. I sometimes mention this monument in various versions of a talk I call "Things Left Behind."
The memorial commemorates the more than 1,600 Jews deported from Sopron to Auschwitz. The
monument represents a piece of the undressing room of the gas
chambers and symbolizes much more. Kutas was one of the first artists
of memorials to cast bronze sculpture from real objects to evoke things
left behind as Jews were deported and murdered. In this case, Kutas cast
from real clothes to suggest the garments left by victims in the
"showers" of Auschwitz.
Four jackets with yellow stars are hung on hooks
awaiting owners who will not return. A pile of shoes and broken
children’s dolls lies beneath them. The dolls, some with the heads
removed, are meant to be just that – dolls left behind – but more fully
are surrogates for the murdered children.
The
scene is obviously a construct, as the repeating Hebrew words of the
Shema prayer ascend like flames (or souls) above the installation. The
Shema prayer is also inscribed on the base in Hebrew, Hungarian, and a
transliteration. There is also the prayer/exhortation "May the memory of
the righteous be blessed,'" written in metal Hebrew letters around the
perimeter fence. Despite all these parts, the monument is striking in
its simplicity, and its silence. We only imagine the individuals who
wore these clothes, and despite the physicality of the garments, the
physicality of the victims is left to the mind's eye, or allowed to be
transformed into pure spirit, of the sort suggested by the rising Shema
(Hear O Israel).
Unfortunately,
however, there is now a parking
lot that surrounds the memorial’s triangular plot of land. This greatly
reduces the monument’s emotional impact.
The
better-known Budapest memorial installed in 2005 on the banks of the
Danube similarly uses cast shoes and boots to signify the victims who
were shot and thrown into the icy river in 1944-45 by Arrow Cross
militiamen. But there are big differences in the memorials. In Sopron,
one must consciously seek out the monument, and it is mounted and fenced
in a traditional manner, including appropriate religious inscriptions.
In Budapest, one just comes across the abandoned shoes. The memorial is
intentional, but it is meant to be unexpected.
The monument is
situated in a park across from the former Orthodox synagogue, designed by
architect János
Schiller (1859–1907) and
built in 1890-91. Today the synagogue on Papret Street looks like a ruin, but
before the pandemic repairs, including a new roof (I was told), were made and
several exhibits, concerts, and lectures were held in the raw space. Jewish
Heritage Europe reported earlier this year that the city would
allocate 30 million forints (approx
84,000 euro) for the restoration of the Orthodox synagogue as a Jewish
religious and cultural center which will be returned to Jewish ownership. It is
currently owned by the city.
A modest plaque on the facade installed in 2004
says in Hungarian “‘1640 martyrs’ were taken from here to Auschwitz on 5 July
1944.”
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The
impressive Neolog synagogue at Templom utca 23,was destroyed by bombing in 1945. There is a memorial plaque set on the front of the new building
which replaced it.
Thanks to Paul Asman and Jilll Lenoble, here is the translation:
"At this location stood the Neolog Synagogue, of which the first and last rabbi was Dr. Miska Pollák, historian, 1868-1944." Beneath the pictographs it reads, "One of them, One of us, supported by the beautiful city of Sopron." Walter Dezso seems to be responsible for the plaque, which was created by an artist Kutas in 2007. (Hungarian translation lightly adapted from Steve Novak.) The Hebrew at the top is Psalm 100, verse 4: "Enter into His gates with thanksgiving, and into His court with praise."
A new Franz Liszt performing arts center now stands across the street.
Sopron, Hungary. Site of former Neolog Synagogue at Templom utca 23. Photo: Samuel Gruber 2022. |
There
are many other reminders of the Jewish past of Sopron, and the town is
full of Gothic and Baroque architecture and is very beautiful.
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