Showing posts with label cubism. Show all posts
Showing posts with label cubism. Show all posts

Monday, February 6, 2017

Germany: Multiple Memorials for Berlin's Munchener Strasse Synagogue

Berlin, Germany. Image of the former Münchener Straße 37 on view in the Bayerischer Platz U-Bahn station. Photo: Samuel D. Gruber 2016
Germany: Multiple Memorials for Berlin's Munchener Strasse Synagogue
by Samuel D. Gruber

In November 2016, I was in Berlin for a few days and had the chance to visit more Jewish and Holocaust-related historical and commemorative sites than usual. I've already posted about the Jewish cemetery on Grosse Hamburger Strasse and the monument and burial section at the Weissensee Cemetery for Jewish soldiers who died in World War I. Here's information on a lesser known commemorative site.

The domed synagogue at Münchener Straße 37 in the Schöneberg section of Berlin, designed by Jewish architect Max Fraenkel (1856-1926), was dedicated in 1910 and was at the center of a heavily Jewish neighborhood around Bayerischer Platz.  It was looted but not burned on Kristallnacht (November 9, 1938), but was subsequently damaged by aerial bombing during the war years, and  torn down in 1956. The synagogue, which was a transitional structure between historicism and modernism, was notable for its large dome, and as one of the more architecturally distinctive buildings in the largely residential neighborhood. The composer Kurt Weill had a job as the synagogue choir conductor for a few months in 1921. 

Today, there is a part of a school building on the synagogue site, but the synagogue is remembered in the neighborhood in various ways. Each memorial corresponds to a particular phase of Berlin's facing the past and acknowledge the Shoah. There is an official abstract street level monument (1960s), a student-built collaborative memorial (1990s) and recently an extensive photo exhibit underground in the nearby U-Bahn station.

At the school, the original synagogue outline is remembered through garden design and in 1994-95 students erected a memorial brick wall on the school grounds to remember local Jews who lived in Berlin-Schöneberg. According to school officials,"the idea was based on the artist Horst Hoheisel from Kassel who gave stimulus on his "memorial from down below" in the framework of the 6th grade teaching lesson "National Socialism".
Berlin, Germany. Löcknitz Primary School on site of the synagogue at Münchener Straße 37. Photo: Samuel D. Gruber 2016.
In front of the school and near the street is a more traditional monument, designed in a cubist style by Gerson Fehrenbach in 1963. It declares: "Hier stand der 1909 erbauten synagoge der jüdischen Gemeinde" (Here stood the Synagogue of the Jewish Community built in 1909).

Berlin, Germany. Monument to destroyed at synagogue at Münchener Straße 37. Gerson Fehrenbach, arch., 1963. Photo: Samuel D. Gruber 2016.
Berlin, Germany. Monument to destroyed at synagogue at Münchener Straße 37. Photo: Samuel D. Gruber 2016.
A plaque beneath gives further information about the fate of the building.  

Hier stand von 1909-1956 eine Synagoge. Sie wurde während der Reichspogromnacht
am 9. Nov. 1938 wegen ihrer Lage in einem
Wohnhaus nicht zerstört.
Nach der Vertreibung und Vernichtung
der jüdischen Mitbürgerinnen und Mitbürger
durch die Nationalsozialisten verlor sie
ihre Funktion und wurde 1956 abgerissen.”

In the nearby U-Bahn station there is a extensive photo exhibition on the history of the neighborhood. Since it was a heavily Jewish district in the interwar period, there is are many images of the synagogue and of prominent Jews who lived nearby. When I visited the station in November 2016, the former synagogue - already destroyed once - was suffering the indignity of having a temporary construction barrier interrupting the view of its full facade.
 
Berlin, Germany. images of the former Münchener Straße 37 on view in the Bayerischer Platz U-Bahn station, with a construction barrier further "destroying" the synagogue today. Photo: Samuel D. Gruber 2016

Berlin, Germany. Image of the memorial wall constricted by local students on the site the former Münchener Straße 37. Photo on view in the Bayerischer Platz U-Bahn station. Photo: Samuel D. Gruber 2016
Berlin, Germany. Image of the memorial wall constricted by local students on the site the former Münchener Straße 37. Photo on view in the Bayerischer Platz U-Bahn station. Photo: Samuel D. Gruber 2016.
Bayerischer Platz neighborhood, including Münchener Straße, is also the location of the noteworthy "Places of Remembrance," (Orte des Erinnerns) project designed by artists Renata Stih and Frieder Schnock and installed in 1993.  The memorial, which consists of 80 signs which flatly state the dates and essence of laws promulgated by the Nazis in the 1930s to curb the rights of Jews.  This project remains one of the most thought provoking Holocaust commemorative installations anywhere - if one takes the time to look.

Berlin, Germany. Bayerischer Platz and "Places of Remembrance," (Orte des Erinnerns) project designed by Renata Stih and Frieder Schnock. Photo: Samuel D. Gruber 2016.
ABerlin, Germany. Bayerischer Platz and "Places of Remembrance," (Orte des Erinnerns) project designed by Renata Stih and Frieder Schnock. Photo: Samuel D. Gruber 2016.
Berlin, Germany. Bayerischer Platz and "Places of Remembrance," (Orte des Erinnerns) project designed by Renata Stih and Frieder Schnock. Photo: Samuel D. Gruber 2016.





Saturday, May 2, 2009

Exhibition: London's Ben Uri Gallery Hosts Major Jacques Lipchitz Drawing Exhibition

Exhibition: London's Ben Uri Gallery Hosts Major Jacques Lipchitz Drawing Exhibition
by Samuel D. Gruber

(ISJM) The Ben Uri Gallery in London will open a major exhibition of over 150 drawings by famed Lithuania-born Paris School artist Jacques Lipchitz (1891-1973). Jacques Lipchitz, Master Drawings: The Anatomy of a Sculptor will open on Wednesday 6th May, 2009.

The exhibition spans 60 years of the career of Lipchitz, known as a 'life long cubist," but whose work - as is well demonstrated in his drawings - was as much expressive as analytic. According to the Ben Uri announcement, the exhibition of this works (from an American collection) is the first British museum survey of Lipchitz since the 1986 exhibition The Lipchitz Gift, Models for Sculpture at the Tate Gallery. Lipchitz's preparatory work was featured in the traveling exhibition Selected Master Drawings in 1974-75. This present exhibition will expose a new generation to Lipchitz's energetic style that in subject matter combined, myth, dream, symbol and memory into a unique graphic and sculptural language.

This year is the 100th anniversary of Lipchitz's arrival in Paris, where he became a leading figure in what came to be called the Paris School, where he was also a leader among the many East European immigrant artists. Born Chaim Jacob Lipchitz in Druskieniki, Lithuania in 1891, the artist was just 18 when he came to Paris. Two years later, in 1911, he moved to the Paris studio and apartment at 54, Rue du Montparnasse where lived his friend and fellow Litvak, Lazar Berson. Berson later moved on to London, and in July 1915 founded the Ben Uri.

Lipchitz left Paris in 1940, fleeing to Toulouse after the German occupation of the city. In 1941 Amercian diplomat Varian Fry helped smuggle the artist to New York. While Lipchitz is much celebrated in Israel, where his monumental sculpture Our Tree of Life (1962-72) adorns the grounds of Hadassah Hospital on Mount Scopus, he did not travel to Israel until 1963. Though he died in Capri (Italy) in 1973, he is buried in Jerusalem.

At Ben Uri Gallery, 108A Boundary Road, London NW8 0RH until 26 July.

For more information see: www.benuri.org.uk / info@benuri.org.uk