Showing posts with label Louis Kahn. Show all posts
Showing posts with label Louis Kahn. Show all posts

Wednesday, September 2, 2009

Publication: New Book about Louis Kahn and Philadelphia's Mikveh Israel

Publication: New Book about Louis Kahn and Philadelphia's Mikveh Israel


I review Susan Solomon's new book, Louis I. Kahn’s Jewish Architecture: Mikveh Israel and the Midcentury American Synagogue in today's edition of Tablet Magazine.

Click here to read the review Sacred Space: Louis Kahn and the architecture of quiet reverence.

The book is about more than Kahn. It contains several informative chapters on issues of ideology, aesthetics and identity in post-World War II American synagogue design.

Wednesday, June 24, 2009

USA: Grants Will Fund Rescue of Louis Kahn's Trenton Bath House

USA: Grants Will Fund Rescue of Louis Kahn's Trenton Bath House
by Samuel D. Gruber

(ISJM) After several years of uncertainty, Louis Kahn's Trenton Bath House will get a new lease on life, when restoration begins after Labor Day.

The so-called Trenton Bath House (pictures) designed by Kahn and built in 1955 is one those iconic monuments stuck with the wrong name (one thinks of the oxymoron "Santa Maria la Blanca Synagogue" in Toledo as an example). Kahn's building is not in Trenton; nor is it a Bath House - and certainly not a Bath House in the traditional Jewish sense. It is really the entry and changing rooms of a community swimming pool, located at 999 Lower Ferry Road, in Ewing, New Jersey, commissioned by the Trenton Jewish Community Center [TJCC] designed as just a small part of what was intended to be a much larger planned (but not built) Jewish Community Center of the Delaware Valley. The small, structurally simple building consists of four square concrete block rooms, surrounding an open atrium forming a cruciform plan

Click here to read more about the history and design of the building [n.b. this linked site, while it appears accurate, reprints material from various sources without attribution].

Despite the pivotal role this design played in the development in Kahn's subsequent work, and the great influence it continues to exert in architectural design (from Robert Venturi to Mario Botta) the concrete block building was for long treated locally as a mere utilitarian structure, and was poorly maintained. Still, the building remained essentially intact. Kahn spoke of the Bath House as a turning point in his design philosophy, "From this came a generative force which is recognizable in every building which I have done since." I think it fair to say that this building relates to Kahn’s later work in the way Bramante’s Tempietto relates to that architect's work at Saint Peter’s. The Bath House is both a functioning everyday building and a working model for bigger things. And yet, it is in part because of its very intimate scale that it is well loved.

When the Jewish Community Center, which owned the building, announced in 2005 plans to move from Ewing to a large site in West Windsor, NJ, there was widespread concern among Kahn building aficionados that the Bath House might not survive a sale to a new owner, despite a National Register designation and a local preservation ordinance listing it as a protected site. The Friends of the Trenton Bath House was formed to monitor the building’s condition and to promote its preservation; Preservation New Jersey listed the Bath House as an endangered site; and in 2006, concerns eased when title was transferred from the Jewish Community Center to Ewing Township and Mercer County. Now, three years later, funds have been secured to carry out the long-awaited restoration of the structure and the surviving Kahn-designed buildings of the adjacent day camp.

Susan Solomon, whose book Louis I. Kahn's Trenton Jewish Community Center was published by Princeton Architectural Press in 2000, has provided ISJM and this blog with an update on the long-awaited restoration of the Louis Kahn structures:

Maris Wieczorek, Senior Planner of Mercer County (NJ) reports that renovation of the Trenton Bath House (Louis I. Kahn, 1955) and the adjoining Day Camp ( Kahn, 1957) will begin after Labor Day. Funding, which comes from a $750,000 grant from the New Jersey Historic Trust (from the Garden State Historic Preservation Trust Fund), will be matched (1:1) by Mercer County which bought the property in 2007. The county made the original purchase by innovative use of open space monies. Mercer County now leases the site to Ewing Township which operates the Bath House (changing rooms) and swimming pool as part of its senior and community center.

The current plans include demolition of the snack bar (an eyesore that was attached to the Bath House after Kahn had left the project); erection of a new snack facility close to the place where Kahn designated one in a 1957 plan; improved picnic area; symbolic recreation of the pebble garden in the atrium; new doors and fencing; ADA accessibility. The restoration of the Bath House will include new shingles (matched to old photographs) on the roofs; stabilizing of all concrete block and slab flooring; new drainage in the changing areas; recreation of the benches that Kahn had used. There will also be new shower stalls and toilets. The former basket room [where swimmers checked their street clothes] will be renovated to accommodate an entry desk and support services.

Changes at the Day Camp include demolition of two pavilions that are not repairable. They will be recreated alongside the two remaining pavilions.

Farewell, Mills, and Gatsch is the architectural firm doing all of the restoration and new construction. Heritage Landscapes is in charge of the landscape design.

Saturday, June 6, 2009

USA: Preservation New Jersey Offers Workshop for Advocates for Historic Places

(ISJM) Preservation New Jersey offers a workshop for advocates for endangered historic places: Tips to Persist, Persevere and Preserve, on Sat. June 13 from 10 a.m. to 1 p.m. The workshop meets at the historic 1st Presbyterian Church of Trenton, 120 E. State St. The Workshop includes sessions and speakers from a variety of preservation-related arenas, sharing tips and strategies for successful preservation advocacy and action.

Speakers:
• Using non-traditional media – Michael Willman, WMSH Marketing Communications

• Technical Assistance – Richard Southwick, FAIA; Beyer Blinder Belle Architects

• Finding funding: a case study – Numa Sisselin, CEO; Count Basie Theatre, Red Bank

• Grassroots Advocacy – Michael Shakarjian; the John C. Evans Project, Milltown

$5 registration fee at the door | Light refreshments served.

Contact PNJ at 609.392.6409 for more information

In recent years there have been many historic preservation and adaptive reuse projects for synagogues, former synagogues and other Jewish sites in New Jersey. these range from the Star of Israel Synagogue in Hoboken to the wooden synagogues of South Jersey to Louis Kahn's "Bath House" near Trenton.

Wednesday, January 7, 2009

Publication: 50 Years Since Piechotka "Wooden Synagogues"

Publication: 50 Years Since Piechotka "Wooden Synagogues"

Its been 50 years since the release in English of Wooden Synagogues (Warsaw: Arkady, 1959) by Maria & Kazimierz Piechotka. I've just written a short account of some of the influence of the book on American synagogue architecture for Nextbook.

The Blueprint: How a 1959 book changed the architecture of American synagogues.

Thanks to Paul Rocheleau and Bob Schwartz for use of their photos. This is derived from a longer study (forthcoming) on the influence of Polish synagogues on American synagogue architecture first presented in Poland last October (and dedicated to Maria & Maciej Piechotka). I enjoyed the opportunity of visiting with them and their architect son Michal. The Piechotkas taught me much of what I know of synagogue architecture during several extended visits in New York and Warsaw in the 1990s. Maciej is recovering from a broken hip, suffered at the end of the summer right after a retrospective exhibition of his drawings held in Warsaw, but seemed in good spirits.

To my readers: please send me more examples of the influence of Wooden Synagogues.

Thursday, August 7, 2008

Noteworthy Publication: article “Kabbalah and Architecture,” by Alexander Gorlin

New Publication: “Kabbalah and Architecture,” by Alexander Gorlin, in the new issue of Faith and Form (Vol. XLI: 2, pp 6-11), the journal of the Interfaith Forum on Religion, Art & Architecture.

by Samuel D. Gruber

The author has designed several highly acclaimed synagogues, including North Shore Hebrew Academy on Long Island, NY (see my American Synagogues, 2003), where he interprets in form and light the Kabbalah’s account of the breaking of the vessels (Shevurat Hakelim). In this article he finds traces of Kabbalah in many strains of modern mysticism and occultism manifest in modern art and architecture. The widespread and continuing popularity of the studies of Gershon Scholem (who in the interwar period associated with many leading expressionist poets and artists), brought aspects of Kabbalah to architects in Europe and America.

Still to be determined, of course, is how deep an understanding these architects had, or when simple terms and general concepts sufficed to inspire architects, or to allow them to gloss their work. Or often, a single artist inspired by Kabbalah produced forms that in turn influenced others. Gorlin’s short essay, following Thomas Hubka’s recent writings of architecture and the Zohar (Resplendent Synagogue, Architecture and Worship in an Eighteenth-Century Polish Community, Brandeis Univ. Press, 2003) offers new ways to consider the work of several Jewish artists and architects, and many others who defied the strictures of modern architecture as defined by the International Style. Gorlin mentions among others architect Louis Kahn and Daniel Liebskind and painter and sculptor Barnett Newman. Gorlin is no stranger to the work of Kahn and Liebskind. He is presently designing an addition to one of only two built synagogues by Kahn - Temple Beth El in Chappaqua, New York. and in 2004 he designed Daniel Leibskind's apartment.The Newman-Kabbalah connected has been explored by Matthew Baigell and others (see, for example, Baigell’s “Barnett Newman’s Stripe Paintings and Kaballah: A Jewish Take,” in Ellen Landau, ed. Reading Abstract Expressionism: Context and Critique (New Haven: Tale, 2005).

But Gorlin isn’t just looking at that past, he hopes to point the way to his fellow designers to of where they find new inspiration.

For more on the work Alexander Gorlin go to his firm's website at:

http://www.gorlinarchitects.com/index_content.htm