Tom Freudenheim Remembers Tzali Narkiss

Tom Freundenheim Remembers Tzali Narkiss

Last month I wrote about the death of Bezalel Narkiss, founder of the Center for Jewish Art at the Hebrew University, Jerusalem.

Here, I post the words or remembrance by my friend Tom Freudenheim, long active in the world of Jewish art amd museums, and member of the Board of Directors of the Foundation for Jewish Culture:

REMEMBERING BEZALEL NARKISS

The recent passing, on June 29, 2008, of Professor Bezalel Narkiss in Jerusalem reminds us of how the world of Jewish art has expanded in past decades. When I was working at the Jewish Museum (NYC) in the early 1960's, the field of Jewish art scholarship was relatively small, populated by European scholars who had moved to greener pastures (e.g., Richard Krautheimer) or Jewish scholars limited in the scope of their understanding of art history (e.g. Cecil Roth). The fingers of two hands would have more than sufficed for taking the census in this field. Tzali Narkiss is emblematic of how much changed in the intervening years. If ever there were yiches in this field, he carried them. His father, Mordecai Narkiss, was the first director of the Bezalel Museum, which ultimately became the extraordinary Israel Museum. And he carried the name of the eponymous first "Jewish artist" Bezalel (we read about him in Exodus), who was appointed by God to manage the building of the Tabernacle and its implements.

After studying at the Hebrew University, Narkiss earned his doctorate at the University of London's Warburg Institute. In the early 1960's he helped found the Department of Art History at the Hebrew University, where he served as a professor for many years. training several generations of art historians -- many of them now working in museums and universities in Israel and throughout the world. He founded the Index of Jewish Art, the Journal of Jewish Art, and the Center for Jewish Art -- each of which now maintain a central position in the world of Jewish scholarship. Among his many important appointments, he was a Senior Fellow at Harvard University's Dumbarton Oaks Center for Byzantine Study in Washington, D.C., at the Institute for Advanced Study in Princeton, and the CNRS in Paris. He was also a guest professor at the Institute of Fine Arts, New York University, and at Brown University, Samuel H. Kress Professor in the Center for Advanced Studies in the Visual Arts at the National Gallery in Washington, D.C. and a visiting professor at Princeton University.

Narkiss' many publications added immeasurably to the field of Jewish art studies, especially in the area of his special expertise, medieval and Renaissance Hebrew illuminated manuscripts. In 1999 he was awarded the Israel Prize. I last visited with him in Jerusalem in April 2006, and thinking back on that day I realize all of the above doesn't really describe Tzali Narkiss. He was a friend of "everyone" in the field, warm and affable, with a sparkling sense of humor, generous in discussing art historical issues, and certainly one of the people who has helped secure Israel's world-wide scholarly prominence.
--Tom L. Freudenheim, Foundation for Jewish Culture, Board of Directors

Death of Prof. Bezalel (Tzali) Narkiss (1926-2008)

Death of Professor Bezalel Narkiss, Founder of Center for Jewish Art
By Samuel D. Gruber

It is with deep sadness that I report the death last week of Professor Bezalel Narkiss, Nicholas Landau Professor Emeritus of Art History at The Hebrew University, Jerusalem. Professor Narkiss – or Tzali to generations of students and colleagues - was one of the world's foremost scholars and teachers of Jewish art, and the founder and former director of the Center for Jewish art at Hebrew University, Jerusalem. Professor Narkiss was born in Jerusalem in 1926 and educated at The Hebrew University, and the Courtauld and Warburg Institutes at the University of London, from where he received his Ph.D. in 1962. His dissertation on the Golden Haggadah was just one of his many close examinations of Hebrew illuminated manuscripts. That work began a lifetime commitment to the study and presentation of Hebrew Illuminated manuscripts in the British Isles.

In 1974 Tzali founded the Index of Jewish Art, modeled after the Index of Christian Art at Princeton University. From this effort grew the Center for Jewish Art at Hebrew University, founded in 1979, and since then the major research engine for the identification and study of Jewish art worldwide, and especially the iconography of Jewish art as found in illuminated manuscripts, wall paintings and a wide variety of ritual objects. In more recent years the Center has also turned its
attention to documenting architecture, particularly synagogues. The Center, under Tzali's guidance, has produced several generations of scholars of Jewish art, curators of museums and activists in the field of documentation and protection of Jewish heritage. For many years, under Tzali's direction, the Center published The Journal of Jewish Art (Later Jewish Art).

Tzali Narkiss published scores of books and articles in his lifetime. He also served as illustration editor of the Encyclopedia Judaica in the 1960s. Through that important scholarly and popular vehicle, he helped introduce the diversity and richness of Jewish art to tens of thousands of Jewish and non-Jewish users of the Encyclopedia around the world.

Tzali was indefatigable participant in scholarly conferences, including the many important congresses which he helped organize in Jerusalem over the years. He regularly attended the sessions of the International Survey of Jewish Monuments held at the College Art Association meetings. I last saw him in October, when he attended and presented (despite his illness) at the important conference "Jewish Architecture in Europe," held at the Technische Universität Braunschweig, Germany. It was a grand affair for Tzali, with many of his students and colleagues of several generations present. The conference celebrated the successful partnership between the Center for Jewish Art and the Technische Universität Braunschweig in the creation of Bet-Tfila, Research Unit for Jewish Architecture in Europe. For many of us, he knew and we knew that it would be our last meeting.

On behalf of the ISJM membership, I extend condolences to Tzali Narkiss's family and friends, and to all his associates at The Hebrew University.

For read more about Prof. Narkiss's work, see: http://cja.huji.ac.il/