Friday, July 7, 2017

Happy Birthday Leo Friedlander!

New York, NY. 1939 World's Fair. Four Freedoms statues by Leo Friedlander. Photo: NYPL 1654212

New York, NY. 1939 World's Fair. Four Freedoms statues by Leo Friedlander.

Happy Birthday Leo Friedlander (July 6, 1890 - Oct. 24, 1966)
by Samuel D. Gruber

Leo Friedlander may be the least known but most visible of American Jewish sculptors, He was a leader of architectural and monumental sculpture in the United States in the first half of the 20th century, and many of his works still adorn public buildings and spaces.The height of his career was in the 1930s when his figurative sculpture - free standing and in relief with recognizable but slightly distorted body types - was applied to some of the visible sites in New York, Washington, D.C. and in other major cities.  I don't think anyone today would consider Friedlander a great sculptor - but he was regarded as a highly capable one, and a sculptor who was able to consistently combine his personal aesthetic with an appeal to popular taste. His combined work straddled traditional Beaux-Arts figurative composition and  Art Deco patterning and stylization.

He sculpted reliefs on Rockefeller Center in New York and provided the highly visible thirty-three-foot figures representing the "Four Freedoms (speech, press, religion, and assembly) at the central esplanade of the 1939 World's Fair. The Fair was one of the the last great moments for figurative sculpture in the United States. Following World War II abstraction quickly gained favor. Friedlander was president of the National Sculpture Society in the 1950s a position from which he railed against the newest trends.

New York, NY. Rockefeller Center under construction with Leo Friedlander reliefs.
New York, NY. Rockefeller Center. Radio by  Leo Friedlander reliefs. Photo: Photo-ops
New York, NY. Rockefeller Center. Radio by Leo Friedlander. Photo: Photo-ops
New York, NY. Rockefeller Center with Leo Friedlander reliefs. Photo: Photo-ops


New York, NY. Rockefeller Center. Television by Leo Friedlander. Photo: Photo-ops
 At Rockefeller Center, Friedlander supplied reliefs on several themes for the side entrances. He had previously worked with architect Raymond Hood on the Social Science Building for the  1933-34 Century of Progress International Exposition, in Chicago, and had also been an assistnat earlier in his career to Paul Manship, who sculpted the central plaza figure of Prometheus. Friedlander's primary relief was at the 49th Street entrance, and was titled:  Transmission Receiving an Image of Dancers and Flashing it Through the Ether by Means of Television to Reception, Symbolized by Mother Earth and her Child, Man, perhaps the first work of art addressing the new medium of television. Carol Krinsky notes in her book Rockefeller Center (Oxford, 1978, p. 144) that John D. Rockefeller did not care for Friedlander's work and that he wrote that they were "gross and beautiful."


Friedlander is also well known for his colossal public monuments, including the equestrian statues for the Arts of War installation of the equestrian statues Valor and Sacrifice at Washington, D.C.'s Arlington Memorial Bridge. 

Washington, DC. Memorial Bridge. Arts of Wars (Sacrifice), by Leo Friedlander.
Friedlander is included in Who's Who in American Jewry 1926, but I have found few other mentions of Jewish affiliation. He was born in New York David and Margarethe (King) Friedlander. He was a precocious artist and exhibited drawings at the Art Students League in New York when he was only twelve years old. He trained in Europe at the Ecole des Beaux Arts in Brussels and Paris, and then as an Fellow in Sculpture at the American Academy in Rome (Prix de Rome 1913-1916), probably the first Jewish artist so honored. He also worked as an assistant to sculptor Paul Manship, America's leading exponent of Art Deco style sculpture.

Leo Friedlander standing in front of model for relief panel for Television, Peter A. Juley & Son Collection, Smithsonian American Art Museum J0119041.

Friedlander later headed the sculpture department at New York University and was also president of the National Sculpture Society. In 1936, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1949.

I have not done any deep research on Friedlander, but am not aware of any specifically Jewish commissions or works of Jewish content. There is, however, a bronze sculpture Tree of Life in the collection of the Smithsonian Museum of American Art. While this theme could be Jewish, but it is a common theme non-denominational theme, too.  You can see other works by Friedlander in the Smithsonian collection here.

Tree of Life n.d. Leo Friedlander Born: New York, New York 1888 Died: White Plains, New York 1966 bronze 23 x 9 3/4 x 12 1/2 in. (58.4 x 24.7 x 31.9 cm) Smithsonian American Art Museum Gift of Gordon D. Friedlander 1971.151 Smithsonian American Art Museum.

Friedlander was also one of many leading artists who exhibited a model at the Jewish Museum in October 1949 for the proposed Holocaust Monument planned for Riverside Park in New York City, but never built. 

Here is a partial list of his major works (from Wikipedia). I'll expand this in the future: 

• The central pediment (1930) at the Museum of the City of New York 
• Sculptures at Washington Memorial Arch, Valley Forge National Historical Park 
• Reliefs for the U.S. Chamber of Commerce in Washington, D.C. 
• Sculpted reliefs (1931), Jefferson County Courthouse, Birmingham, Alabama 
• Pylons, Social Science Building, (1932) 1933-34 Century of Progress International Exposition, Chicago 
• Reliefs (1939) on the RCA Building at Rockefeller Center 
• The Arts of War sculptures, Sacrifice and Valor, flanking the Arlington Memorial Bridge in Washington, D.C. 
• Four Freedoms statues, 1940 New York World's Fair 
• Memory Sculpture, War Memorial, Richmond, VA 
• American Military Cemetery, Hamm, Luxembourg 
• Covered Wagon sculptural panels, Oregon State Capitol, Salem, OR



• Lewis and Clark sculptural panels, Oregon State Capitol, Salem, OR 
• Roger Williams Statue, Prospect Terrace Park, Providence, RI 
• Pioneer Woman Statue, Texas Women's University, Denton, TX


• Sculptured Clock, House of Representatives, Capitol Building, Washington, D.C. 
• Bacchante, bronze statue, Metropolitan Museum of Art 
• "Harmony Creates Tranquility" bronze medal, Metropolitan Museum of Art 

Good biographical and critical source material on Friedlander is not readily available - so reader's are invited to send in more information

Tuesday, July 4, 2017

USA: The Sad Ruins of New York's Beth HaMidrash HaGadol

New York. NY. Ruins of Beth HaMidrash HaGadol after May 14, 2017 fire. Photo: Samuel D. Gruber 2017
New York. NY. Ruins of Beth HaMidrash HaGadol after May 14, 2017 fire. Photo: Samuel D. Gruber 2017
USA: The Sad Ruins of New York's Beth HaMidrash HaGadol
by Samuel D. Gruber

[n.b. this post has been edited and expanded on July 5, 2017]

Visiting New York last week, I confronted the recent fiery destruction of Beth HaMidrash HaGadol [n.b. the name of also often spelled Beth Hamedrash Hagodol] formerly one of the grandest and most storied Orthodox synagogues of New York's Lower East Side. The large two-towered building, built as a church in 1848-50 and subsequently purchased and converted to use as a Russian Orthodox synagogue in 1885,  irrevocably burned on May 14, 2017. 

New York. NY. Beth HaMidrash HaGadol at the beginning of the 20th century. Photo: Jewish Encyclopedia
New York. NY. Beth HaMidrash HaGadol in 1999. Photo: Samuel D. Gruber 1999.
New York. NY. Beth HaMidrash HaGadol, sanctuary interior.

The synagogue remained in good condition through most the tenure of Rabbi Ephraim Oshry, a Holocaust survivor of the Kovno Ghetto, who wrote The Annihilation of Lithuanian Jewry, who presided there from 1952 until his death in 2003. The building began to seriously deteriorate in the 1990s. The fate of the synagogue has been in jeopardy for at least a decade, and it had been closed since 2007. Rabbi Mendel Greenbaum, seemingly acting on his own, filed a “hardship application” with the Landmarks Preservation Commission in December 2012 seeking permission to demolish the building to allow for residential development. Previously, in 2009, 3 congregants held a meeting in which they agreed to sell the building for $10 to Beth HaMidrash Restoration Inc., a Type "C" charitable corporation under section 201 under NYS not-for-profit state law. in which 3 people were named as officers of Beth HaMidrash Restoration Inc. One of these individuals died in 2014 (you need to have at least 3 board members). 

In my experience, it is reasonable to assume that a non-religious charitable organization of a "Friends of" type, separate from the religious organization, would be needed to seek and receive certain types of grants and reach a larger donor pool, such groups are usually established by the IRS as 501 (c) charities, not the less transparent New York State "201 (C)". While admittedly not-for-profit law is complex, it seems to me that a 201 (C) is more likely to be part of a housing redevelopment project than one for renewal or restoration of an historic religious property. On the other hand, it may be much quicker to set up a the NYC charity than go through the IRS filing and review. 

According to an article by Allegra Hobbs:
[Rabbi] Greenbaum said he had been in talks shortly before the fire to sell the synagogue's air rights to developer Gotham Development, an arrangement that would ensure repairs for the house of worship. The deal would also facilitate the development of affordable housing and a community center on a neighboring property owned by the Chinese-American Planning Council, which runs the senior center next door.
It seems to me that while now it is possible that the entire synagogue site could be used for housing, it is also possible that the site could become an historic park with synagogue ruins and historical information, and the air rights could still be sold. I'll be writing examples of such arrangements in future posts.

While the application for demolition was withdrawn in 2013, there appears to have been little effort to protect and preserve the building. There is no public evidence of fund raising or restoration work done since the sale to Beth HaMidrash Restoration Inc. While saving the building would have been a massive undertaking, the success of other preservation projects suggests this could have been possible if it had been the real intent. In the past, substantial preservation funds granted by outside agencies went unused. Two weeks ago the congregation submitted a request for demolition of the ruins.


New York. NY. Ruins of Beth HaMidrash HaGadol after May 14, 2017 fire. Photo: Samuel D. Gruber 2017
Now the Lower East Side community, city safety experts, the NY Landmarks Preservation Board, and profit-scenting developers are debating the ruins' fate. Some say tear them down immediately and develop the property for profit; others say go slow and see about developing a project that conserves some remnant of the structure and serves the community. 

Councilwoman Margaret Chin, who has often been a mediating figure between local developers and neighborhood preservation groups, expressed concern over demolition plans. In a statement she said "When this devastating fire occurred, I held out hope that this vital piece of the Lower East Side's history could  be preserved for future generations ... I still hope that a portion of this historic structure can be saved. I urge all of the parties involved to work together to explore every option to prevent the full demolition of this sacred building."

Unlike the ruin of the midtown Central Synagogue when it was burned nearly 20 years ago, Beth HaMidrash does not have a waiting congregation or an insurance settlement to help rebuild. In any case, Beth HaMidrash HaGadol is so destroyed that even rebuilding would not bring back its historic fabric - which was mostly the sanctuary interior. Even that interior had been compromised in recent years, Neglect and then closing of the building led to extensive damp and mold issues, and other conservation problems, which would have made the preservation of much of the woodwork difficult.

On June 20th, the local Community Board #3 Landmarks Committee took testimony about the future of the ruins. Their fate in the short term depends on what danger city inspectors believe the standing walls pose. The site is fenced off, and while a superficial look suggest they are mostly stable - including the solid brick apsed ark wall - it is hard to say whether this wall or the remains of the facade tower would withstand high winds and rain, or the vibrations of heavy equipment removing other rubble.  For sure, in Eastern Europe  I've seen walls much like these stand as ruins for generations. But even if the walls were deemed safe - at least now - the rest of the building debris needs to be cleared way. To do this with heavy equipment and salvage the walls is tricky and expensive business.  

At the CB# 3 meeting, Dr.  Elissa Sampson, a geographer and historian of the Lower East Side, longtime activist in LES religious and cultural affairs, and my Jewish Studies Program colleague at Cornell University, began her testimony summing up the situation: 

The loss of a building can tear a hole in people's hearts as well as in a Lower East Side street's fabric. One of the most famous landmarked synagogues in New York, Beth HaMidrash HaGadol, was destroyed by fire on May 14th. While most importantly there was no loss of life, there is a vital loss of place and we are now all dealing with the tragic aftermath. Among other things, the synagogue's existence was a critical marker of the rapid mass immigration of Eastern European Jews to the United States. I think that there is no disagreement here as to importance of appropriately dealing with whatever DOB’s determination is regarding the demolition of most of the building.
While we don't know fully what can reasonably be saved now, it is eminently clear that with some real effort the building could have been saved before the fire. Instead, each year we watched how bidding went higher even as the building continued to deteriorate further to the point of dereliction. As late as March, 2013, Robert Silman Engineering was brought in by LPC, funded by NY Landmarks Conservancy, and they determined that the exterior of the building could be saved. Equivalent exercises had taken place over the years. There is no shadenfreude here; what eventually happened seems to be a case of coming to the table far too late for the building’s sake.
It is hard to imagine anyone taking the effort to save these ruins when those responsible  neglected the building for so long, citing financial hardship as a primary reason.  This building could have been saved if the owners - a less-than-transparent  restoration coterie set up by the congregation - had really wanted to to save the structure.  It is not ironic - but rather a significant factor that led to the neglect - that the building site is worth a lot of money, and when the building is fully gone money will almost rain from heaven.  True, when the building stood significant income that could have gone to repairs and restoration was possible by selling air rights. But now that the building is destroyed - and if the ruins are demolished - then the lot can be sold and developed for much much more - perhaps a sum in the tens of millions of dollars. 

According to recent an article by Bill Weinberg in the Villager, (June 29, 1917) reporting on the CB# meeting:
At the meeting, Rabbi Greenbaum admitted that air rights above the landmarked building were worth an estimated $12 million before the fire, whereas the site without landmark protection could fetch $18 million. Numerous reports indicated that the synagogue’s owners had been in talks with the Gotham Organization — developers of the Gotham West luxury complex on 11th Ave. in Midtown.
When asked by this reporter if the Gotham Organization idea has now been officially dropped, Greenbaum’s consultant Thomas McMahon replied by e-mail: “Nothing official. The idea and conversation continues to find a way [sic] to develop the property in a way that makes sense. Gotham was one of the respondents to a RFP [request for proposals] issued by the CaPC [Chinese American Planning Council].”
New York. NY. Ruins of Beth HaMidrash HaGadol after May 14, 2017 fire. Photo: Samuel D. Gruber 2017
New York. NY. Ruins of Beth Hamidrash Hagadol after May 14, 2017 fire. Photo: Samuel D. Gruber 2017



New York. NY. Ruins of Beth HaMidrash HaGadol after May 14, 2017 fire. Photo: Samuel D. Gruber 2017
Such lure of money has often been attractive to other religious groups and it is understandable when the funds reaped from one site might be reinvested into another, and the congregation remains a going concern. But in the hot real estate marker of the Lower East Side small congregations - or often a few people who speak for the entire history of a congregation - are ready to cash out. The transactions will not be transparent, and there is no assurance that the use of the funds will serve the public good. Public oversight of ownership and sale of religious and charitable properties is often lax, and also subject to political pressures.

If the site is sold who will get this money? The small coterie that has controlled and neglected the site for years - probably waiting for this windfall? Since this has been a religious building off the tax rolls for its entire existence, it would be shame - a scandal really - to see proceeds from the destruction enrich a few. Traditionally in Jewish law proceeds from the sale of synagogue buildings go to the upkeep of cemeteries or to religious schools. By most American state law, the assets of a defunct congregation or other not-for-profit might go to the nearest similar organization (cy-pres doctrine). In this case, while the Beth HeMidrash HaGadol congregation is defunct, they have already transferred their assets - the value of the building site - to the not-for-profit 201 (C).  Since the purpose of the Beth HaMidrash Restoration Inc. was ostensibly the restoration of the building which is now not possible, could that organization now be considered defunct and it's assets transferred to other organizations, too? I'm sure many lawyers will be investigating this question (and billing for it).

Even if the building all comes down and most funds are directed to Jewish charitable and educational needs, it would be good if some large amount of future proceeds go into a fund - perhaps managed by the Landmarks Conservancy, the Lower East Side Conservancy or another preservation group, to assist the maintenance and restoration of other needed Lower East Side historic buildings, or even perhaps more specifically, local historic Jewish sites. We'll have to follow closely who will profit from this loss.

Taking the board through a documented history of preservation evaluations and surveys of the building and the lack of any real progress over the years, Dr. Sampson was quite explicit in her recommendation to CB#3:

As long as there is reason to suspect that the main results of development will be to the financial benefit of the individuals involved, and that the public benefit and use of the property is not clarified through legal paperwork or other means, I am recommending that no steps be taken toward development or demolition other than those required by DOB’s safety recommendations. We should not legitimate undermining the example of Rabbi Oshry, the revered Kovno rabbi who not only led its congregation after the War, but landmarked its building in 1967 to purposely prevent its demolition. If the proposal is indeed to put his name on what is in effect a new building, we need to be asking now what that new building will be, what community purpose will it serve, what will it look like, and what will surround it in terms of other new development. And we need to know in the public interest how the money trail works for what is ostensibly a publicly regulated charity
At the end of the hearing the Community Board 3 Landmarks Committee passed a resolution to protect as much as can be saved of the original structure after public safety is taken into account. They declared in part the approval of "the application for demolition, but urges the Landmarks Preservation Commission, Department of Buildings, the Chinese American Planning Council and the Synagogue to work together with the structural engineers to determine which elements of the Synagogue can be retained safely and that those elements be incorporated into any new building on the lot.”

Beth HaMidrash HaGadol had previously been a Baptist and then a Methodist Church, and after its conversion to synagogue use in 1895 architects Shneider & Herter were hired to strengthen and remodel the building. In the 20th century much of the added exterior ornament of the building was removed, probably for safety and to avoid the expense of maintaining it. A very thorough congregational and building history is provided on Wikipedia.

Tuesday, June 27, 2017

USA: Let's Document the Mid-Century Modern Synagogues of Isador Richmond & Carney Goldberg


Randolph, MA. Former Temple Beth Am. Richmond & Goldberg, archs., ca. 1961. Photo: Google Streetscape.
Randolph, MA. Former Temple Beth Am. Richmond & Goldberg, archs., ca. 1961. Photo: Tod Bryant
Randolph, MA. Former Temple Beth Am. Richmond & Goldberg, archs., ca. 1961. Photo: Beth Am webpage.
USA: Let's Document the Mid-Century Modern Synagogues of Isador Richmond & Carney Goldberg
by Samuel D. Gruber

I was recently contacted by architectural historian Tod Bryant about the former Temple Beth Am, a 1961 synagogue in Randolph, MA, where Tod is inventorying historic resources.  The congregation will soon merge with Temple Beth Abraham in Canton, MA. and the Randolph facility was sold earlier this year to the New Jerusalem Evangelical Baptist Church.

Tod and I pooled our efforts and a little sleuthing determined that this mid-century modern synagogue was designed by architect Carney Goldberg (1907-1981), who with his partner Isador Richmond, designed many mid-century synagogues in Massachusetts.  Goldberg appears to have been the lead synagogue designer, but this needs to be confirmed. Probably the best known of these is Temple Emeth in South Brookline, which was included in the 1996 chapter by David Kaufman, "Temples in the American Athens: A History of the Synagogues of Boston," in The Jews of Boston. But Tifereth Israel Congregation in New Bedford, MA, which just celebrated its 50th anniversary, is also a distinctive building. 

New Bedford, MA. Tifereth Israel Cong., Fund raising postcard ca. 1965. Photo: U. Mass Dartmouth Archives.

It appears several of the Richmond & Goldberg designed synagogues have already closed; either sold for reuse or demolished. Steve Kellerman photographed a few of these buildings in the 1980s, but as far as I can tell there is little other documentation of the buildings, or of the lives and work of both these active, successful award-winning Jewish architects. With the limited information easily available it is hard to get a sense of these architect's style, but certain features indicate an affinity with some of the 1950s and early 1960s designs of Percival Goodman and Fritz Nathan. I hope that this notice will inspire some my readers in the Boston area to dig a little deeper, and get out to document all of the buildings by Richmond and Goldberg that still stand, and especially those few synagogues still in use.

Randolph, MA. Former Temple Beth Am. From Google Earth.
Carney Goldberg (son of Benjamin and Jenny) was born in Chelsea, Massachusetts in 1907. He was probably the son of immigrant Jewish parents - since there were so many Jewish immigrants in Chelsea, then one of the most densely populated Jewish towns in America after New York City.  Goldberg attended MIT and graduated with a B.S. in Architecture in 1928 and with an Masters in Architecture in 1929. In 1946 he formed a partnership with  the older and better known Isador Richmond; Isador Richmond and Carney Goldberg, Architects and Engineers. 

Richmond was also born in Chelsea (in 1893), again almost certainly to immigrant Jewish parents (Hyman Richmond and Lena Tanzer). Richmond had also attended MIT in a 2-year special course in architecture from 1913-1915, prior to serving in World War I. He subsequently won the prestigious Roche Traveling Scholarship in 1923 and spent time at the American Academy in Rome. Goldberg was subsequently awarded the Roche scholarship in 1931. Richmond was probably on the review committee. 

According to AIA membership information filed by Goldberg and a few other sources, the team designed at least nine synagogues and one Jewish Community Center between 1948 and 1966. There may be others later. Here is my list so far:

Temple Emanuel, Newton, MA (date?)
Temple Emeth, Brookline (1948)
Temple Beth El, Portland, Maine (1950
Temple Tifereth Israel, Malden, MA (1955) - merged with TSS (?) - bldg up for sale 2016
JCC, Brighton, MA (1956)
 Temple Beth Israel, Worcester, MA (1959)
Temple Agudath Achim, Leominster, MA (ca. 1960)
Temple Beth Elohim, Wellseley (1960; sold and/or demolished? ca. 2010)
Temple Beth Am, Randolph, MA. (1961?; sold to a church 2016))
Tifereth Israel, New Bedford, MA (1966) 

Worcester, MA. Temple Beth Israel. Carney Goldberg, arch. (1959). Photo: Wikipedia.

Former Temple Tifereth Israel, 539 Salem St., Malden, MA (1955). Photo: Jonathan Goldblith, courtesy Julian Preisler.
Former Temple Tifereth Israel, 539 Salem St., Malden, MA (1955). Photo: Jonathan Goldblith, courtesy Julian Preisler.
Prior to partnering with Goldberg, Isador Richmond had worked at Cram & Ferguson, Bellows & Aldrich, Guy Lowell, and then established and independent practice in 1925. According to his AIA membership documents he was associate architect of the Newtowne Court Housing project, Cambridge, Massachusetts; other buildings designed "include Lamson & Hubbard, Boston; chapel at Isabella Thoburn College, Lucknow, India; industrial buildings for Dennison Manufacturing Company, Framingham; housing projects in Brookline, Mass" and also "college buildings, libraries, temples, synagogues."  He also apparently did some teaching at MIT.


New Bedford, MA. Tifereth Israel Cong., presentation drawing., ca. 1966. Photo: U Mass Dartmouth Archives


New Bedford, MA. Tifereth Israel Cong.,
Photo: U. Mass Dartmouth Archives

New Bedford, MA. Tifereth Israel Cong.,
Photo: U. Mass Dartmouth Archives



Tuesday, June 20, 2017

Remembering Nikos Stavroulakis (1932-2017)

Nicholas (Nikos Stavroulakis at the Future of Jewish Monuments Conference, New York, Nov. 1990 (Photo from video, ISJM).
Nikos Stavroulakis at Etz Hayyim Synagogue Re-dedication after Arson. Photo: Etz Hayyim Synagogue, 2010.
Remembering Nikos Stavroulakis (1932-2017)

Today would have been the 85th birthday of Nicholas (Nikos) Stavroulakis, the grand man of Greek Jewish history and culture, who died on May 19, 2017.  Instead of a birthday party, there is a memorial gathering for Nikos in Hania, Crete, where he made his permanent home for the past quarter century, and where he fulfilled his lifelong dream of restoring and re-animating the derelict Etz Hayyim Synagogue, which had been devastated during the Holocaust and neglected in subsequent decades.

Sadly, I cannot be in Crete today, so I write this as the memorial service is getting underway. 

Nikos was a great teacher and inspiration to me, and I was privileged to work with him (mostly by email and telephone) on the Hania synagogue restoration in the 1990s.  In truth, despite the success of that project, it did strain our relationship at times as Nikos's passion for the project often outran the paperwork required for the project by the World Monuments Fund. Though I was in direct contact with Nikos only sporadically in the past decade, I was able to follow the growth and success of the Etz Hayyim Synagogue and Center via social media and the internet, and to hear the accounts of visitors to Crete, always delivered with wide-eyed enthusiasm both for the experience and especially for Nikos himself. 

You can read how he influenced others here

Nicholas Stavroulakis. Woodcut from the Book of Jeremiah (Philadelphia: JPS, 1973)
Nicholas Stavroulakis. Woodcut from the Book of Jeremiah (Philadelphia: JPS, 1973)
Nikos has a magnetic personality, based on his mix of intellectual brilliance, creative vision, puckish charm, righteous indignation, deep kindness and compassion, and a hypnotically mellifluous voice. I fell under Nikos's spell in the late 1980s when we began to correspond after I assumed the Directorship of the new Jewish Heritage Council of the World Monuments Fund. He was then Director of the Jewish Museum in Athens, which he had helped found in 1977. We finally met in New York when he participated in the Future of Jewish Monuments Conference in New York in November, 1990, and it was then that he began to speak on the international stage about the need to protect and preserve the post-antique synagogue of Greece. As director of the Jewish Museum he and Tim DeVinney had been documenting these far flung buildings, and they published their illustrated history and guidebook Jewish Sites and Synagogues of Greece  (Athens: Talos Press, 1992), one of the very first published surveys of Jewish monuments for any country of the world. In this, as in so many things, Nikos was ahead of the curve.

Nikos was an iconoclast in many ways. He was an historian of cultural traditional, but he hated bureaucracy and the institutional mindset that things should be done one one because they had always been done that way. He bucked against the formalities and prejudices of cultural gatekeepers - universities, religious orders, and governments. But unlike many brilliant disrupters, Nikos had the imagination and tenacity to create new communities and structures to replace those he found lacking. His own career was nomadic and erratic and yet it did lead - seemingly inevitably - to his work and leadership in Hania which brought together so many threads of his intellectual, creative, spiritual and social self. 

 Hania, Crete. Etz Hayyim Synagogue restoration. Photo: N. Stavroulakis 1998

He was a leader and a trend sender. There was something of the prophet in Nikos.  One can see him in the images he made of Jeremiah when he illustrated that Bible book with woodcuts, published in 1973.  Before Etz Hayyim, Nikos was a founder and leader of museums in Athens and Thessaloniki. All these efforts become models for efforts by others in other countries.  Nikos was also was a talented artist (see his woodcuts that illustrate the Book of Jeremiah), and he was reputed to be a great cook, and he wrote a cookbook. 

Nikos was one a handful of first generation pioneers who took on the task to document, remember, protect and present the heritage of Jewish places and communities in the decades after the Holocaust. Because he worked in Greece, he was not as widely known as some of his Eastern European colleagues. And because he also colored outside the lines, working across national, ethnic and religious boundaries he was not always embraced as closely as others by the mainstream Jewish community - in Greece or in America. But it his his example of active love and truth-seeking curiosity that the world and world religious need today more than ever.  Nikos will be missed terribly by the thousands he knew and inspired - even during short often short interactions.

Donations in Nikos's memory can be made to Etz Hayyim. See the Etz Hayyim website here:
http://www.etz-hayyim-hania.org/donations/.