Monday, November 30, 2009

Belarus: Israeli Ambassador Urges Government to Assist in Restoration of Synagogues




Grodno (Hrodna), Belarus. Great Synagogue (1902-05). Photos: Wikipedia Commons

Belarus: Israeli Ambassador Urges Government to Assist in Restoration of Synagogues

(ISJM) Belarus News reported on November 11, 2009 that the Israeli ambassador to Belarus has urged the government to restore synagogues amid a “disastrous” shortage of prayer houses for Jewish communities in the country.

According to the article:

The Belarusian government should pay attention to deteriorating synagogues, which were built with contributions by the faithful, Ambassador Edward (Eddie) Shapira said at an international conference in Minsk.

“I do understand that there is no restitution law in the country, but there is a wave of religious revival and the state does not only return churches that once belonged to Orthodox Christian communities but also helps renovate them,” the ambassador said.

Mr. Shapira expressed concern about the condition of the “unique” three-story synagogue in Hrodna [Grodno]. Many tourists, including Jews, visit the city, but it is impossible to invite them to the synagogue hit by “devastation,” he said.

The ambassador also voiced alarm over what he called the unwillingness of law-enforcers to probe attempts to incite national hate “even when they are visible by the naked eye.”

He said that a swastika and an anti-Semitic text were sprayed on the building of the Jewish community in Slutsk, Minsk region, earlier this year, condemning the act as a vivid example of racism.

The ambassador called on the authorities to draw up regulations that would prevent immoderate construction work at old Jewish cemeteries and the sites of the WWII mass execution of Jews, and ensure that human remains discovered at such sites be reburied with proper rituals.

You can view this article online at VosIzNeias.com/41883

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Of course, the ambassador's plea raises a host of sticky political and moral questions about government involvement in religion. On the one hand, Jewish and other groups are usually eager to see government support for synagogues and other Jewish religious and communal institutions - and such is a normal throughout much of Europe where the tradition of separation of church and state are not ingrained as part of the social and political cultures. On the other hand, these same groups fret about undo influence by government upon their activities, and on other forms of freedom of expression. How should be strike a balance?

On way, of course, is to look at the buildings that need to be restored. In Europe (but less so in America) governments are regularly involved in the protection, preservation and promotion of the historic buildings and other resources. When synagogues and other Jewish historic and architecturally significant buildings fall into this category, help should be provided to promote culture and history. I would never - however - support the government construction of synagogues (or churches or mosques for that matter). But in fact, in Belarus, as the ambassador points out the government does assist in the promotion of the Orthodox (Christian) church. But I would plea for the protection of historic synagogues based on their past - not on their future use. That issue is for Jews to decide (and to fund).

The Grodno synagogue is one of the most impressive in Belarus, and is situated in a major urban area. Just as the City of Warsaw has funded recent restoration of the Nosyk Synagogue, and the Hungarian government funded most of the expensive restoration of the Dohany Synagogue in Budapest, so too, can public funds assist in Grodno - which was returned to the Jewish Community of that city in 1991. The synagogue, however, was the site of intense communal rivalries in the years after its restitution. Disagreements over who would control the site and who would define the Jewish religious identity of Grodno were also factors that deterred international donors from embracing the project - as exactly the time when international attention was turning to places like Warsaw, Prague and Budapest. The Grodno Synagogue is now the Center of the city's Chabad movement, which is organizing its restoration. Today, Belarus is home to three main Jewish religious groups - the tradition Orthodox, the Chabad-Lubavich Orthodox, and a congregation of Progressive Jews. This confuses all requests for government support. Chabad has been more active (and successful) - especially in nearby Russia - in looking to government for recognition and active support. In neighboring Ukraine, which also lacks a restitution law, Chabad has also been the most organized and effective nationwide Jewish network - but there Chabad has mostly relied on private donors and the activism of local rabbis.

The lack of a proper restitution law in Belarus makes any general demand on the government for care of synagogues problematic. It would be better to fix the system and create a proper mechanism for the return and support of properties, than to bungle by on an ad hoc and reactive basis, and to beg for government largess. The problem in Belarus (and in other countries, too) is that governments are willing to "give back" older ruined and non-productive properties to Jewish communities, but they are reluctant - and even obdurate - to return useful income-producing properties. Thus, Jewish communities are after saddled with expensive historic properties, but no financial resource - and little or no government assistance - to maintain and restore them. This is like asking someone to make soup and giving them the ingredients, but no pot or fire.

What needs to be done is the proper and legal return of historic properties with the recognition that these properties are derelict due to more than a half century of neglect and or misuse by state or other non-Jewish users (appropriators). It is not enough to return a property, but the means also have to be attached to the property to make it whole again.

If an apple is stolen from a grocer, it does the grocer no good if only the apple core is returned.

I know that this is an expensive proposition - and its get more expensive all the time. But this is the system that we must lobby for. It is the only practical - and moral - solution. Governments add injury to insult when they return a ruined (historically designated) property to a Jewish community, and then within a short time threaten to penalize the community for not having maintained or restored the building - this after the government (or some predecessor government) neglecting the structure for decades. It is also wrong for governments to assume that just because a community will not or cannot maintain a property now, that it is forfeiting all claim on the building for all time. If such a scenario were carried out to its logical conclusion, than many governments themselves would find that they must forfeit many of their own buildings - since they are not maintained.

In places like Belarus is essential that a complete list of sites be compiled (this has already been done to a large degree), and that the conditions of the building, and its restoration needs be itemized, and that these be compared to potential uses for the building. This list then needs to be prioritized, and a small selection of sites be chosen for annual repair and restoration - sometimes by the Jewish community, sometimes by the government, sometimes by private entities - but mostly in the form of creative financing, use and lease or ownership arrangements involving all these parties. This can be done in many ways as examples from the Czech Republic and Poland demonstrate.

I will write more about the unusual architecture of the Grodno Synagogue in a future post.

USA: Exhibition by New Haven's Orchard Street Shul Cultural Heritage Artists Project

USA: Exhibition by New Haven's Orchard Street Shul Cultural Heritage Artists Project

Last week I wrote about the 1925 Orthodox Beth Israel synagogue in New Haven, Connecticut, popularly known as the Orchard Street Shul. I mentioned the upcoming exhibition at the John slade Ely House Center for Contemporary Art in New Haven organized by the artists' group known as the Orchard Street Shul Cultural Heritage Artists Project. The exhibition opens next week and continues through January, with a rich program of associated events.

The Public is Invited to the Opening Reception for the Participating Artists, on Sunday, December 6, from 12:00 Noon to 5:00 pm. To set the mood for the launch of “The Orchard Street Shul Artists Cultural Heritage Project”, the Joseph Slifka Center for Jewish Life at Yale for Jewish Life at Yale will host a Jazz jam session on December 5 at 7:30, celebrating the swing dance music of 1924 and beyond, when the cornerstone of this Synagogue was put in place in a ceremony attended by Mayor Fitzgerald and much of the entire New Haven community.

The John Slade Ely House Center for Contemporary Art is open W-F, 11:00 am to 4:00 pm, and weekends 2:00 pm to 5:00 pm. Schools and other organizations who would like to arrange a group visit outside of regular hours may do so by sending an email to: arts@orchardstreetshul-artistsproject.org.

Below is more information about the synagogue, the project and the exhibition provided to ISJM by Cynthia Rubin, one of the Project and exhibition organizers. Cynthia explained to me that the Project overall was inspired by the many instances of contemporary art installed within or inspired by historic synagogues in Europe. In the case of the Orchard Street Shul, the group wanted to draw attention to the historic, architecture and preservation needs of the congregation while still respecting the fact the building remains as dedicated house of worship. Thus, the exhibition is being help elsewhere (also to save on the winter heating bills for the near-destitute congregation) , and certain parameters were placed on the art created for the event. The art pieces must be somehow relevant to the specific location, history, art and architecture of the Orchard Street Shul and its location, and it must be respectful of the congregation.

"Respect" of course is a subjective term...as I have previously written in my accounts of archaeology of cemeteries in Spain and in other contexts. Still, I believe that for art as for all types of public discourse and behavior, context is everything. When context is understood, than respect should be a natural result - and when it is not, it is usually the result of deliberate and often provocative disrespect. In art, there is often a place - and an important place - for intentional disrespect and shock value. In community building (and that is what is part of the goal in New Haven) the same disrespect and shock can be counter productive.

My preliminary review of the art in this exhibition - through photos and description only- shows that much of its interesting, much is innovative and clever. I appreciate the organizers' decision to encourage thought, but not to shock.

Orchard Street Shul Cultural Heritage Artists Project

During the months of December 2009 and January 2010, The John Slade Ely House Center for Contemporary Art in New Haven, Connecticut will come alive with memories, recollections, and recreations of an important community heritage site, in an innovative group installation designed to both stimulate reflection on the legacies of past generations and engage the public in dreams for the future.

The Orchard Street Shul Cultural Heritage Artists Project is an art exhibition, a history lesson, a point of cultural exchange, and meeting place for dreamers, both nostalgic and visionary. Artists, researchers, and scholars have joined together to celebrate an important historic New Haven landmark which was once central to the life of a large Jewish immigrant population in the Oak Street neighborhood.

Urban changes in the last 50 years have all but erased evidence illustrating the importance of the Oak Street neighborhood in the lives of the newly arrived immigrants and migrants who populated much of the area now known as the "Oak Street Connector", Route 34. Where some see open space, or a new hospital, or a school, or a parking lot, others with longer memories see shops bustling with activity, voices shouting in Yiddish and Italian, sprinkled with a variety of accents from elsewhere, including near and distant regions within the USA.

Contributions to the installation offer a range of approaches. Some artists researched the history of the Orchard Street Shul and its neighborhood, uncovering multiple stories of this community: stories of women working together to aid refugees, stories of hard-working fathers and mothers who dedicated themselves to making a better life for their children, and stories of teenagers who giggled and mingled on the steps of the Shul. Others built on their own experiences, reaching into their hearts to create depictions of the Shul that are evocative of deeper connections with history and community. Still others focused on the issues of urban renewal, making real the shifts in our urban landscape that are difficult to imagine as we visit the site today.

Included in the Project are presentations by researchers from Yale University who developed innovative ways to document the building, including virtual reconstructions exploring new digital methods, ground-breaking research by computer scientists that promises to change the ways that cultural heritage sites will be documented in the future. Some contributing artists used this digital data in their creative work.

The Orchard Street Shul Cultural Heritage Project is organized by Cynthia Beth Rubin, a New Haven based artist, in collaboration with participating artists and researchers: Nancy Austin. Meg Bloom, Donnamarie Bruton, Jeanne Criscola, Roz Croog, Linda Drazen, Paul Duda, Gonzalo Escobar, Maya Escobar, Alan Falk, Greg Garvey, Shalom Gorewitz, Jaime Kriksciun, Leslie J. Klein, Beth Krensky, Seth Lamberton, Mary Lesser, Lisa Link, David Ottenstein, Bruce Oren, Robert Rattner, Cynthia Beth Rubin, Holly Rushmeier, Janet Shafner, Frank Shifreen, Suzan Shutan, Sharon Siskin, Christina Spiesel, Yona Verwer, Julian Voloj, Laurie Wohl, Chen Xu, and Howard el-Yasin. The group includes artists from California, Florida, Utah, Missouri, Rhode Island, Massachusetts, and New York, who traveled to New Haven to contribute to the project alongside artists from the region.

A Project Book is being published in conjunction with the exhibition, including essays by Hasia Diner, the eminent scholar of Jewish immigration history, Walter Cahn, renowned historian of art and and architecture, and Hana Iverson, known for her remarkable multi-media installation "View from the Balcony" that was instrumental in helping attract attention to the renovation project of the Eldridge Street Shul. The book will also feature photographs of the works in the exhibition and memories of the Orchard Street Shul, with commentary by Karen Schiff. The innovative book design is by Criscola Design.

An exciting series of public events includes:
Saturday, December 5, 7:30
Music from the 1920s-1930s jam session
Joseph Slifka Center for Jewish Life at Yale

Sunday, December 6, noon - 5:00
Opening Reception with the Artists
The John Slade Ely House Center for Contemporary Art

Wednesday, December 9, noon
Lunch and Learn, in Partnership with the Jewish Historical Society of Greater New Haven
The John Slade Ely House Center for Contemporary Art

Sunday, December 20, 2:00 pm
Panel Discussion
Memoirs and Remembrances
The John Slade Ely House Center for Contemporary Art

Sunday, January 10, 2:00 pm
Panel Discussion: Documentations: Photography, Recordings and Recreations
The John Slade Ely House Center for Contemporary Art

Sunday, January 17, 2:00 pm
Informal Community Conversations
The John Slade Ely House Center for Contemporary Art

Thursday, January 21, 4:00 pm
Presentation by Yale Computer Science Graphics Group on
The Orchard Street Shul: Case Study in Three - Dimensional Digital Representations of Culture Heritage Sites.
The John Slade Ely House Center for Contemporary Art

Sunday, January 24, 2:00 pm
Panel Discussion: Art and the Echoes of Spirituality
The John Slade Ely House Center for Contemporary Art


Sunday, January 31, 2010
Open Forum:
Artists Reflect on Cultural Heritage Project as Process
Closing Party
The John Slade Ely House Center for Contemporary Art

====================================
The John Slade Ely House Center for Contemporary Art:
Hours
Wednesday - Friday, 11am - 4pm
Saturday & Sunday, 2pm - 5pm
(203) 624-8055

For directions and information on the John Slade Ely House visit:
http://www.elyhouse.org
For information on the Orchard Street Shul Cultural Heritage Project visit:
http://orchardstreetshul-artistsproject.org
contact:
arts@orchardstreetshul-artistsproject.org
Contact:
Cynthia Beth Rubin, Project Director
Orchard Street Shul Cultural Heritage Artists Project
arts@orchardstreetshul-artistsproject.org
Paul Clabby, Curator
The John Slade Ely House Center for Contemporary Art
203-624-8055

Sunday, November 29, 2009

Slovakia: Refurbished Chapel in Bratislava New Orthodox Cemetery; An Important Modernist Work by Interwar Jewish Architects

Slovakia: Refurbished Chapel in Bratislava New Orthodox Cemetery; An Important Modernist Work by Interwar Jewish Architects

(ISJM) Dr. Maros Borsky, of the Slovak Jewish Heritage Center, sends the following information:

The Jewish Community of Bratislava completed another stage of the New Orthodox cemetery chapel restoration. The precious building of the cemetery chapel constructed in 1929 has now fully refurbished interiors in the original coloring. Designed by two Jewish architects who perished in the Holocaust, Fridrich Weinwurm and Ignac Vecsei, the building is an important milestone in the modern Slovak architecture. The site is still used for the original purpose. The site owner expects the major restoration stage, when the exterior and surroundings will be refurbished, to be carried out in 2010. The Slovak Jewish Heritage Center will be happy to match any interested donor to the project with the Jewish Community office.

To see a photo go to:
http://www.slovak-jewish-heritage.org/news.html

Wednesday, November 25, 2009

Hungary: Continuing Struggle to Save Budapest's Seventh District

Budapest, Hungary. Kazinczy Street in the 7th District, with Orthodox synagogue. Photo: Samuel D. Gruber, 2000.

Budapest: Continuing Struggle to Save the 7th District
by Samuel D. Gruber

(ISJM) Ben Harris of the Jewish Telegraphic agency brings us up to date with a new story on the struggle to preserve some historic and community character in Budapest's Seventh District- the traditional home of much of the city's Jewish population, and the site of much Jewish history and culture. Ever since the fall of Communism 20 years ago, the District has been the target of development - much of it badly planned and short sighted. The destruction of the historic character of the District is estimated as high as 40%. The area is prized by office and condo developers especially because of its immediacy to the center of Budapest.

While many of the well-known synagogues in the areas have been restored, much of the urban fabric - including great apartment blocks - has been altered, or entirely replaced be new construction. Apart from its Jewish past, the area's urban and cultural role in Budapest has been much like that of New York's Upper West Side, and similar to the Upper West Side, change has come quickly after decades of relative architectural and social stability.


You can read the article here:

Coalition fights real estate development in Budapest’s Jewish quarter by Ben Harris • November 24, 2009

Ruth Ellen Gruber has followed the changes in the District over two decades. She comments on her blog about Ben Harris' article, and on some of the changes. You can read a JTA story by Ruth about the topic from 2004 here.