Slovakia: What's Wrong with the Bratislava Holocaust Memorial?

[n.b. this was first posted on June 17, 2009]

Slovakia: What's Wrong with the Bratislava Memorial?
by Samuel D. Gruber

(ISJM) My readers know my interest in getting the story straight, and when it comes to Holocaust Monuments and Memorials I have a strong sense that collectively they are not getting or telling the story - straight or otherwise.

The big question is how can one remember what one doesn't know? How can one "not forget" what is never fully discussed or taught? In some recent posts I've discussed some ways that informative narratives can be added to monuments to make them meaningful to everyone who passes by and wants to know.

We all know that monuments - whether to kings, generals, scientists or town fathers - go silent after not too many years. In the case of many purported Holocaust memorials, silence is built into their very design. Their purpose is clear only to a chosen few. With a didactic or narrative text, few people know what these monuments stand for- and those that do know have the excuse to avoid specifics.

This is the case of the Holocaust Memorial in Bratislava, Slovakia, and also its adjacent commemorative synagogue image, erected in 1996 in the Old Town center of Bratislava, on the site of the former Neolog Synagogue which was torn down in the Soviet period (not by the Nazis or their Slovak allies) to make way for a highway.



The monument is a striking piece of sculpture, and its placement, and the adjacent wall size engraved image of the Great Synagogue are very effective ways to enliven an otherwise near-dead space - a former plaza now cut through be a highway. But to the passing resident or visitor, young or old, they say nothing of what they are and why they are there, and they give no details the people and places they are meant to recall.

According to Maros Borsky on the website of the Slovak Jewish Heritage Center:

The Memorial was erected in 1996 by the Slovak Republic to commemorate the memory of 105,000 Holocaust victims from Slovakia. The location was not selected accidentally. The Holocaust memorial was composed as a place of public remembrance, where two layers of history intertwine: the memory of the tragic event and the memory of the former Rybné Square synagogue, still remembered by many Bratislavians, and which can be often found on historical photos hanging in Bratislava cafés. The memorial consists of the black wall with silhouette of the destroyed synagogue and the central sculpture with non-figurative motif and a David Shield on the top, placed on the black granite platform with “zachor” [remember] and “pamätaj” inscriptions. The plot of the former synagogue is owned by the Bratislava Municipality, which leases the site for an annual symbolical fee to the Museum of Jewish Culture, which maintains the memorial.

I was struck on my last visit to Bratislava that none of this information is knowable without going to Maros's website. There is no sign, no plaque, not text at all except "Remember!" in Hebrew and Slovak. In the history of Bratislava there are so many events one can be asked to remember, so which does this recall?

Some might say I'm unfair, since monuments do receive attention when they are the focus of events - such as Yom ha-Shoah or some other Day of Remembrance. Still, what about the rest of the year? A good monument has a job to do, and it should be on the job full time. It's not like a tuxedo or fancy dress only taken out once a year for the Opera.

Some artist friends of mine - including some who have made monuments - have said to me that their work should not be labeled, or constricted by one interpretation. I have no problem with that, the work can be interpreted in any way, or in many ways. But the event it purportedly commemorates is not open to such interpretation. In an age of Holocaust Denial we cannot allow that. Some specifics - the what, who, how and when need to be stated, and stately unequivocally.

I hope that the Museum of Jewish Culture in Bratislava will take heed, and take action. Put up a sign, a plaque, something informative to help people remember.

Slovakia: New Jewish Guidebook

Maros Borsky in front of former synagogue of Nitra (now Holocaust Memorial). Photo: Samuel D. Gruber (2005).

Nitra, Slovakia. Former Synagogue. Ark. Photo: Samuel D. Gruber (2005).

Cross posted from Jewish Heritage Travel
Slovakia -- New Jewish Guidebook
By Ruth Ellen Gruber

Mazel tov to Maros Borsky on the publication of his valuable new bilingual Slovak-English guidebook to Jewish Monuments in western Slovakia. Zidovske pamiatky zapadneho Slovenska/Jewish Monuments of Western Slovakia was launched last week in Bratislava and Trnava.

A slim paperback illustrated with full-color pictures of each site, the book provides details -- including GPS coordinates -- for Jewish heritage sites in more than two dozen other towns in Slovak regions of Bratislava and Trnava, giving basic history and current details.

Most of these sites are off the beaten track and not included on the Slovak Jewish Heritage Route, a network of 25 key sites around the country.

Ruth Ellen Gruber's JTA column about our friend Maros Borsky:

Ruth Ellen Gruber's JTA column about our friend Maros Borsky:

In Slovakia, being strategic about preserving Jewish heritage

By Ruth Ellen Gruber · August 28, 2011

Maros Borsky, vice president of the Bratislava Jewish community, standing in the Orthodox synagogue in Zilina, Slovakia. The shul is one of the sites on his Slovak Jewish Heritage Route. (Ruth Elen Gruber)

RUTHLESS COSMOPOLITAN

BRATISLAVA, Slovakia (JTA) -- In 1989, on the eve of the fall of communism, the American poet Jerome Rothenberg published a powerful series of poems called "Khurbn" that dealt with the impact of the Holocaust on Eastern Europe.

In one section, he recorded conversations he had had in Poland with local people who had little recollection of the flourishing pre-war Jewish presence.

"Were there once Jews here?" the poem goes. "Yes, they told us, yes they were sure there were, though there was no one here who could remember. What was a Jew like? they asked.

"No one is certain still if they exist."

I often think of this poem when I travel to far-flung places in Eastern and Central Europe, and it was certainly on my mind on a trip to Slovakia this August.


That's because yes, there are still Jews here, and the post-Communist revival has reinvigorated Jewish communities in the region.


But also, despite this, numbers are still so small that even in many places where Jews once made up large parts of the population, Jewish history and heritage have been, or run the risk of being, forgotten.


"Look," my friend Maros Borsky reminded me in Bratislava. "Kids who were born after 1989 don't even remember communism."

Borsky is trying to do something about this -- which is why I was in Slovakia.


Read the entire story here.

Slovakia -- Trencin and the mixed emotions of visiting Jewish sites

My sister Ruth Ellen Gruber has recently been traveling in Slovakia with our friends Maros Borsky, Rabbi Andrew Goldstein and others. Read her thoughts about the trip, and check out her blog for more reports. In May, 2011, not knownig Ruth was taking this trip, I encouraged people to do the same and wrote about some of Slovakia's outstanding Jewish buildings, including the ones Ruth writes more on here.

Slovakia -- Trencin and the mixed emotions of visiting Jewish sites

Synagogue in Trencin, 1993. Monotype by Shirley Moskowitz (c) estate of Shirley Moskowitz

By Ruth Ellen Gruber

There usually comes a time when you visit sites of Jewish heritage in Eastern and Central Europe when the impact of the past -- the destruction wrought in the Holocaust -- breaks through and grabs you. I have experienced this often: I love looking at the synagogue buildings and admiring the architecture and recalling the richness of Jewish history and recognizing their importance to the cultural heritage of society at large and applauding the way that many by now have been restored for cultural use. Likewise when I thrill to the wonderful carving on Jewish gravestones and appreciate the creativity and aethestic verve that produced them. Still, I sometimes find myself unexpectedly choked up, even weeping.http://www.blogger.com/img/blank.gif

I wrote about these contradictory feelings at length in the introduction to my book Jewish Heritage Travel.

And Rabbi Andrew Goldstein touched on this theme in the sermon he gave after our trip to Slovakia this month following the Slovak Jewish Heritage Route (which I posted HERE). That is why he and his wife, Sharon, held informal "services for synagogues" in a couple of the synagogues we visited -- notably the still semi-ruined one in Liptovsky Mikulas and the Status Quo synagogue in Trnava, now an art gallery.

Read the entire blogpost and see more of Ruth's pictures here.

Slovakia: This Summer Travel the Slovak Jewish Heritage Route

Trencin, Slovakia. Former Synagogue (now art gallery). Photos: Samuel Gruber (2005) click here for more information

Slovakia: This Summer Travel the Slovak Jewish Heritage Route

Summer is here, and thousands - maybe tens of thousands - of tourists will go in hunt of Jewish sites in Europe. Twenty years after the fall of Communism and the opening of Central and Eastern Europe to visitors there is no slowdown in the number of individuals and groups on art, roots or religious pilgrimage to the former Jewish centers. Most visitors still make their way to the big four cities - Warsaw, Krakow, Prague and Budapest. But as readers of this blog know, there is much more of Jewish and, I think, general interest once one breaks from that standard itinerary.

Liptovský Mikuláš, Slovakia. Former Synagogue. Photo courtesy of Slovak Jewish Heritage Center. For more information click here.

This summer consider visiting Slovakia, a beautiful country of stunning scenery, historic towns and a wealth of fascinating Jewish sites. Centrally located, Slovakia contains cultural elements related to Poland to the north, Ukraine to the East, Hungary to the South and German and Czech speaking cultures to the West. For the past several years the Slovak Jewish Heritage Center in Bratislava under the leadership of Dr. Maros Borsky has worked with local Jewish communities and government agencies to put together a Slovak Jewish Heritage Route through the country. now, you can read about the route and get details on all the historic synagogues included.

The full publication about the route can be read on line or downloaded here.

The route includes Jewish heritage sites in Bratislava, Stupava, Malacky, Trnava, Šamorín, Sereď, Nitra, Komárno, Nové Zámky, Šurany, Šahy, Trenčín, Banská Štiavnica, Zvolen, Žilina, Liptovský Mikuláš, Košice, Spišská Nová Ves, Prešov, Spišské Podhradie, Bardejov.

Malacky, Slovakia. Former Synagogue (now an art school). Wilhelm Stiassny, arch. (1886). Photo courtesy of Slovak Jewish Heritage Center For more information click here.

Some of these buildings are still active synagogues, a few like Nitra, have been turned into Jewish museums and Holocaust memorials. Some buildings like Šamorín are art galleries, and others, such as Stupava are still empty or in restoration.

Most of these buildings are situated in interesting towns, and there are other Jewish sites- especially cemeteries - in close proximity. One can begin the trip in Bratislava - less than a hour from Vienna, and then head east. Travel by car is recommended, but backpackers could make use of trains and buses. Travel information is available on the Slovak Jewish Heritage Center website.

For armchair travelers, the Heritage Center maintains an online monuments database that can be consulted here.

Slovakia: Refurbished Chapel in Bratislava New Orthodox Cemetery; An Important Modernist Work by Interwar Jewish Architects

Slovakia: Refurbished Chapel in Bratislava New Orthodox Cemetery; An Important Modernist Work by Interwar Jewish Architects

(ISJM) Dr. Maros Borsky, of the Slovak Jewish Heritage Center, sends the following information:

The Jewish Community of Bratislava completed another stage of the New Orthodox cemetery chapel restoration. The precious building of the cemetery chapel constructed in 1929 has now fully refurbished interiors in the original coloring. Designed by two Jewish architects who perished in the Holocaust, Fridrich Weinwurm and Ignac Vecsei, the building is an important milestone in the modern Slovak architecture. The site is still used for the original purpose. The site owner expects the major restoration stage, when the exterior and surroundings will be refurbished, to be carried out in 2010. The Slovak Jewish Heritage Center will be happy to match any interested donor to the project with the Jewish Community office.

To see a photo go to:
http://www.slovak-jewish-heritage.org/news.html

Slovakia: Jewish Heritage Route Now On-Line

Samorin, Slovakia. Two views of the former synagogue, now listed on the Slovak Jewish Heritage Route. Photos: Samuel D. Gruber, 2009.

Slovakia: Jewish Heritage Route Now On-Line
by Samuel D. Gruber

(ISJM) Maros Borsky reports from the Slovak Jewish Heritage Center in Bratislava that more information on the Slovak Jewish Heritage Route is now available on-line.

This includes an interactive map of the Slovak Jewish Heritage Route, presentation of Dr. Borsky's book on the synagogues of Slovakia, and the integration of the site's older webdatabase about Slovak Jewish heritage.

A special feature highlights an "event of the month." This month's report is that Slovak Jewish Heritage will be presented at the Donumenta festival in Regensburg, Germany, an annual cultural festival organized in the Bavarian city that every year presents another country from the Danube Region. This year the festival is dedicated to Slovakia and the Slovak Jewish Heritage Center is included with a photographic exhibition of Jewish monuments in Slovakia. The exhibition is the first opportunity for the German public to learn about Jewish heritage in Slovakia.

According to Borsky,"The Slovak Jewish Heritage Route is a complex project that includes research, educational and promotional activities. It is aimed at advocating preservation of Jewish heritage in Slovakia as well as sustaining this attitude. These activities are to a great extend based on the results of the Synagoga Slovaca documentation project of synagogues, conducted in 2001-2006. The outcome of the survey (architectural plans, photographs, descriptions) is used to create an audience for Jewish culture in Slovakia, shape cultural policies and contribute towards improved site management. Within the framework of project we provide guidance and advice to the owners of synagogues and Jewish heritage sites in Slovakia. Managing the European Day of Jewish Culture and the European Routes of Jewish Heritage in Slovakia is a core activity of the project."

Some of the synagogues on the Heritage route, such as the grand nine-bay synagogue of Stupava, have been previously featured on this blog.

Final Statement of Principles and Procedures from Bratislava Seminar

Final Statement of Principles and Procedures from Bratislava Seminar

(ISJM) After incorporating minor changes and additions, the organizers of the Seminar on Care, Conservation and Maintenance of Historic Jewish Property held in Bratislava on March 17-19, 2009, have released the final statement adopted by seminar participants. This statement and other documents related to the seminar will be be posted later this month on the ISJM website. ISJM was a co-sponsor of the seminar.

Seminar on Care, Conservation and Maintenance of Historic Jewish Property
Bratislava March 17-19, 2009
Final Statement Adopted By Participants

The participants in the Seminar “Care, Conservation and Maintenance of Historic Jewish Property,” meeting in Bratislava March 17-19, 2009, agree on the following principles and procedures which guide their work.

Introduction

The ongoing struggle for property and resource restitution has often overshadowed the practical issues of how to manage community properties already held, or those returned.

Proper care of these properties; often involving substantial costs, difficult planning and use issues, and demanding historical and architectural preservation concerns, have preoccupied many Jewish communities for years. In many cases, and especially for smaller Communities, the needs of these properties continue to stretch professional and financial resources. Everyday community needs often delay or prevent the attention that properties require.

Each Jewish community faces its own specific situations, and has unique needs, but there are many shared problems and needs that can be addressed collectively. Importantly, there are also solutions - many of which have been pioneered by Communities themselves - that can be shared, too.

Jewish Properties and Jewish Heritage

Jewish heritage is the legacy of all aspects of Jewish history – religious and secular.

Jewish history and art is part of every nation’s history and art. Jewish heritage is part of national heritage, too.

Documentation, planning and development of sites benefit and enrich society at large as well as Jews and Jewish communities.

Jewish historic sites and properties should also be developed where possible within the context of diverse histories – Jewish, local, national, art, etc.

Jewish tourism and tourism to Jewish sites should be part of every country’s tourism strategy.

Inventories and Documentation

All past and present Jewish communal properties, and all Jewish properties and sites deemed to have historic, religious and/or artistic significance, should be documented to the fullest extent possible.

Inventories must be made and maintained of all properties in each country, and more substantial documentation should be made of historically and architecturally significant properties, especially all synagogues, institutional buildings, cemeteries, monuments, and Judaica and archival materials.

Jewish communities and institutions should cooperate and collaborate in this process to the fullest extent possible, and should welcome the assistance of other public and private institutions and individuals in pursuing these documentation goals.

Information on Jewish sites is most useful when it is most widely available. Efforts should continue and expand to make documentation available in publicly accessible research centers and through publications and on-line presentation, all the while considering safety, security and privacy concerns.

Materials relevant to Jewish history and properties in public, state archives and Jewish community archives should be open for everyone for historical and legal research.

Good documentation must be accurate and complete in its description, and it must be historically informed so that it presents something of the significance of what is recorded.

Synagogues and Former Synagogues

Synagogue and former synagogues should retain a Jewish identity and or use whenever possible, though each one does not necessarily need to be restored or fully renovated.

Former synagogues, no matter what their present ownership or use, should be sensitively marked to identify their past history.

As part of the effort to restitute communal and religious property, when a property of historic value - such as a synagogue - in disrepair or otherwise in a ruined condition (while in the government's possession) is returned, States should help either by modifying laws which impose penalties for not maintaining properties in reasonable condition, or by providing financial and material assistance to undertake necessary repairs and restoration.

Cooperation and Trust

Honesty and transparency are Jewish values and should be especially apparent in the handling of all matters concerning Jewish property, which is held as a communal trust.

Jewish communities should manage their properties to maximize their use for present and future generations.

Jewish communities and institutions should work together as much as possible to share existing information, methodologies and technologies, and they should work together to develop new and compatible goals and strategies to optimize the care and management of historic Jewish properties.

Regular meetings of Jewish community leaders, members, staff and expert professionals to discuss property issues is encouraged within single communities, and between communities. Regional, national and trans-border meeting are useful for the exchange of information and ideas, and for effective planning purposes.

Any sale or development of communal property must be to meet identified community needs.

Wherever possible, proceeds from the sale or development of some properties should be allocated to the care and maintenance of other properties including, but not exclusively, cemeteries.

Jewish communities and museums should work together to develop historic, descriptive and exhibition materials that can be shared.

Jewish communities and local heritage, cultural and tourist bodies should work together to develop regional, national and trans-border heritage routes.

Synagogues and Cemeteries by Shirley Moskowitz Gruber

Top: Shirley Moskowitz. Interior of Synagogue, Pinczow (Poland) and
Below: Cemetery, Rymanow (Poland). Monotypes, 1993.
Collection of Jacob W. Gruber.

Synagogues and Cemeteries by Shirley Moskowitz Gruber
by Samuel D. Gruber

It’s a day after Mother’s Day, but I would like to say something about my own mother, the artist Shirley Moskowitz Gruber (1920-2007). She was a great person and a great mom, but for the purposes of this blog (Jewish art and monuments) I’ll mention some of her artwork. Though she was best known for her landscapes and cityscapes – and especially her work in Italy from the 1970s until shortly before her death in 2007, she also over the years produced a significant number of works devoted to Jewish themes. Shirley was an artist who was Jewish – but not ostensibly or exclusively a Jewish artist. In fact, she never, as far I can recall created any Jewish ritual art or had much interest in it. She did over the years, however, produce several works the subjects of which were Jewish ceremonies. A good example of this is the lino-cut print of children in a Simchas Torah procession made in the early 1960s. This work, like much her output in those years centered on children – especially her own.

Shirley Moskowitz (n.d., early 1960s) Simchath Torah. Lino-cut print.
Collection of Samuel Gruber & Judtih Meighan)

Much later, beginning in the 1990s, she came back to Jewish themes because of the work of two of her children – my sister Ruth and I. In June 1993, she took a break from her work in Italy and traveled with Ruth by car through the Czech Republic and Slovakia to Poland, on her way to surprise me there (where I was leading a tour with Carol Herselle Krinsky sponsored by the World Monuments Fund). Along the way Ruth and Mom stopped at a lot of cemeteries and synagogues which Mom sketched or photographed, and then when she returned to her press in Morruzze (Italy), she produced a series of vivid monoprints recording and interpreting these scenes. A few year later, a visiting friend from Poland saw some of these works and insisted they be shown in Poland, and that began a ten-year traveling itinerary for the works organized by the Jewish Cultural Center in Krakow, that ended at the then-new Jewish Museum in Galicia.



These works have now returned to the family, but I thought I would show some of them here. Today, these scenes and many like them are well-known, but in 1993 they were still a representation of a lost and mostly forgotten world. Its importnat to me that Shirley viewed the remains with a sense of loss, but she also treated them as parts of the landscape as she did the ruins of Italy (or derelict buildings in Philadelphia) which she often painted.

For those who would like to know more abut the life and art of Shirley Moskowitz Gruber, the family has recently created a website. On this you can read an essay about her work that I wrote in 1996 for a retrospective exhibition on the occasion of her 75th birthday. There is also a lovely eulogy by Rabbi Laura Geller, and a memorial essay by Ruth Ellen Gruber. This is a work in progress – we are gradually locating her work and having it photographed. If any of my readers have memories of Shirley or her work, we invite you to contribute these to the site.

Slovakia: Imagining a Better Future for the Peter Behrens-designed (former) Synagogue of Žilina

Slovakia: Imagining a Better Future for the Peter Behrens-designed (former) Synagogue of Žilina

by Samuel D. Gruber 

At the Bratislava seminar on historic Jewish properties held in March I got to know Palo Frankl, head of the small Jewish community of Žilina, Slovakia (Hungarian: Zsolna, German: Sillein). Naturally, we got to talking about the synagogues of Žilina. There are two – a modest synagogue still in use that also houses a small museum - and the better known former Neolog Synagogue designed by famed German modernist Peter Behrens (1868-1940), which is owned by the community, but has housed a cinema for many years. The Behrens synagogue is one of the best known in Slovakia – it is featured in Carol Herselle Krinsky’s Synagogues of Europe, and has been mentioned in many articles (including a few of my own).

Ironically and tragically, it only served as a synagogue for a decade. Built in 1928-31 to replace a synagogue built c. 1880, the new structure followed a design by Peter Behren‘s and its construction was supervised by Zigo Wertheimer. Its religious function, however, ended with the deportation of Žilina’s Jews beginning in 1942 (Žilina was also a transit point for Jews deported form other areas). 

According to architectural historian Maros Borsky, director of the Slovak Jewish Heritage Center, ”the community conducted an international competition which attracted important architects of the time, including Josef Hoffmann from Vienna and Lipót Baumhorn from Budapest,” before settling on Behrens. 

Palo Frankl knows the history of the building and its architectural significance. He’d like to return the building to its original form, and to find some appropriate function for it. Finding a use is not easy nor is finding the funding to restore the building. Mr. Frankl would like to see the building continue to be rented for income for the next several years in the hope that rental income could help fund a design process leading to restoration and some appropriate reuse.  To my mind, keeping it as an income-producing cinema for the time being is probably as good a use as any. I have seen too many instances of Jewish communities rushing to oust a tenant in the hopes of new use, but resulting in a long abandonment of a building, leading to deterioration. Frankl was adamant that any new use of the building should not negatively affect its historic features - and this immediate has ruled out several suggested uses for the prominent site. 

I visited the synagogue two years ago. The exterior is essentially intact. The ground floor is faced in rough rectangular stones, laid almost like field stone. The rest of the structure is of reinforced concrete, and a series of narrow vertical windows pierce the upper level. Despite the use of concrete, the building looks traditional due to its massing, and the monumental stairway that leads to the main entrance. Nothing about the building’s architecture identifies it as a synagogue. Applied Stars of David set on each exterior corner originally served this purpose. Parts of the exterior have been covered with new unsightly painted cement, and all the stonework needs to be pointed and cleaned. But its original form remains clear. The building was, in many ways, a stripped down version of the Byzantine domed synagogue popular in Hungary and the Balkans. Behrens’ design set a half dome on a rectangular block, but it is a low dome visible more from a distance than close up. Within, the dome rose on slender concrete piers from a square, set within the rectangular mass. Today, most of the interior has been covered over with new walls, partitions and materials. Still, in the main hall – now used for films – one can see some of the original structure, though the dome is entirely obscured. It is hard to know what original elements are still hidden.

I suggested to Palo that we investigate putting together some sort of international committee to consider the future of the building. As an icon of modern synagogue design, the building deserves a better fate. This can be a slow process, since as long as it is occupied the building is reasonably well maintained. According to Borsky, there are several other urgent and ongoing Jewish heritage projects in Slovakia that are competing for limited support. To me, the best hope for the Behren's synagogue is to reach outside the normal (Jewish) funding circles and to involve groups dedicated to protecting and preserving the legacy of modernism.

Readers interested in participating in this project should contact me directly.

Slovakia: Grand 9-Bay Plan Stupava Synagogue gets a Facelift

Slovakia: Stupava Synagogue Gets a Facelift (and More)
by Samuel D. Gruber



(ISJM) Participants in the recent Bratislava Seminar on Care, Conservation and Maintenance of Historic Jewish Properties were treated to a visit to the grand early 19th century synagogue of Stupava (German: Stampfen; Hungarian: Stomfa), which after decades of neglect and ruin has receive a facelift thanks to the efforts of preservationist Tomas Stern, a member of the Board of the nearby-Bratislava Jewish Community (who is also a plastic surgeon).

According to Maros Borsky, Director of the Slovak Jewish Heritage Center, who organized the visit: "The synagogue was built in 1803 by a prominent Jewish Community of the pre-emancipation period that resided in a serf-town belonging to the Counts Palffy, of Stupava. From the architectural standpoint, the synagogue belongs to the most precious Jewish heritage sites in Slovakia, one of two last extant nine-bay synagogues. There has been no Jewish community in Stupava since the Second World War and the synagogue passed through various private ownerships, an eventually was in total disrepair. In the early 2000s, the synagogue was acquired by the NGO Jewrope, associated with Dr. Tomas Stern, a Bratislava-based businessman and board member of the Bratislava Jewish Community. Jewrope and Dr. Stern have managed to save the building from collapse by stabilizing the structure, replacing the roof and complete restoration of exteriors. The next planned restoration stage includes interior works, planned to be completed within next three years. The synagogue will serve then as a central archive and book storage of the Slovak Jewish community. A small exhibition of the local Jewish history is foreseen."

As an aside, I am happy to say that ISJM recognized Dr. Stern's dedication many years ago when he was still a medical student - whose weekend passion was the search for abandoned synagogues in Slovakia, which he photographed. Jewrope plans to create in the main space of the synagogue a permanent exhibition about the Jewish history of Stupava, as well as cultural and social space to serve the needs of the general public and the Jewish community.

So far, the project has received support from Jewrope, the Culture Ministry of Slovakia, The Slovak Gas Industry grant scheme, and the World Monuments Fund. Dr. Borsky and Dr. Stern arranged for the building to be included on the Slovak Jewish Heritage Route.

As the attached photos indicate, not much of the original decor of the synagogue remains, but the spas are all intact. Discussions are ongoing about what level of conservation and restoration to apply to the interior walls. Traces of at least two phases of painting can be seen - but the most plentiful and visible decorative patters probably date from the late 19th or early twentieth century. The photos also show numerous examples of old and new temporary patching used to consolidate plasterwork. These will obviously be replaced or improved upon in the final project.

The most ambitious part of the plan is to create a Jewish archive in the upper story of the building, above the vaults but under the capacious roof. This would depend on the creation of a self-supporting structure and the addition of an exterior entrance way for access and safety. Jewrope is working with architects and engineers on these plans which, in the end, will be dependent on technological feasibility (likely) and cost (still unknown).

Meanwhile, the Jewish Community of Bratislava and the town of Stupava are negotiating trying to resolve property ownership claims. The building was sold to a private individual before the restitution process began. Jewrope now owns and building, but not the land on which it sits. Resolution of land ownership needs to be completed before any large investment in infrastructure can begin for the synagogue - no matter what its future use. Dr. Stern, who rose from a sickbed to greet the seminar participants, is committed to getting the project done, and the Bratislava Community supports the effort. In time, Stupava may become again an important Jewish culture center.

Contributions can be sent to Jewrope, at Karpatská 8, 811 05 Bratislava, tel.: 02/52 45 11 12, 0905 600 873, or by contacting ISJM.