Showing posts with label Lviv. Show all posts
Showing posts with label Lviv. Show all posts

Sunday, February 12, 2012

Conference Call for Papers: Ukrainian and Jewish Artistic and Architectural Milieus of Lwow...

Call for Papers

L'viv, Ukraine. Tzori Gilod Synagogue. Ceiling/wall painting, dtl.  (before 'restoration').  Photo: Samuel D. Gruber (2006)

The Ukrainian and Jewish Artistic and Architectural Milieus of  Lwow/Lemberg/Lviv

International Conference, to be held in Lviv, Ukraine, on November 5-7, 2012,
organized by:

Center for Urban History of East Central Europe (Lviv, Ukraine)
Center for Jewish Art, Hebrew University of Jerusalem (Jerusalem, Israel)
Polish Institute of World Art Studies (Warsaw, Poland)
The Leonid Nevzlin Research Center for Russian and East European Jewry (Jerusalem, Israel)
Ukrainian Jewish Encounter Initiative (Toronto, Canada)

The following call for papers is posted by the organizers:

The period between Ausgleich and Holocaust (1867-1939) witnessed the rapid modernization of Galicia, and especially its metropolis, Lwow/Lemberg/Lviv. Citizens of the Austro-Hungarian Monarchy, and then of the Second Polish  Republic headed in a diversity of paths, leading from the segregated traditional societies towards the modern integrated one, and at the same time, to a number of nationalist perspectives. These uneasy political and cultural conditions presented challenges for every group, and especially for their creative individuals, the artists.

L'viv, Ukraine. The Temple Synagogue (from postcard).  Liwicki, architect (1840-46).

The conference focuses on artists and architects, who defined themselves or were defined as Ukrainians and Jews, and thus were the representatives of the two largest non-dominant groups in Lviv before World War II. Their modern identities were shaped, in respect or contrast to, but almost always in the context of the Polish dominance in the city, and - from the last third of the nineteenth century - in the context of Polish national resurgence.

Ukrainian and Jewish artists were haunted by stereotypical views and self-views, both similar and dissimilar: while none of them had had any "national art," the former were known as indigenous builders and artisans, though confined to the peasant's background, the latter as "an artless people," "isolated in ghetto for centuries."  For some artists it was an existential choice to acknowledge or oppose the stereotypes. Another artists' challenge was the ubiquitous modernization, reflected in the diversity of  available concepts, whether evolutionist, "renaissance," or revolutionary. How artists constructed their artworks, their selves, and their group affiliations in relation to this changing world and specific urban environment, will be the topics of the conference.

 L'viv, Ukraine. The Jewish Hospital, dtl. of dome.  Kazimierz Moklowski, arch. (1898-1902).  Photo: Samuel D. Gruber (2006)

We invite scholars to present their studies of artistic and professional strategies within the highly prolific Ukrainian and Jewish communities  of artists and architects.  We invite papers questioning how artists and architects articulated their belonging to different groups, how this influenced their work and their social position, how interaction with other artists in the multi-ethnic environment of the city have influenced ideas and concepts of art and its role in society.

Moreover, we would like to learn how the social position and perception of artists and architects varied in different ethnic communities, and how they changed over time. While individual papers may only focus on the artistic life and architectural practices within one community, Ukrainian or Jewish, we aim to bring a comparative perspective by inviting scholars to discuss narratives and strategies of these two groups together.

We hope for insights in three chief directions: making and socializing the art; retaining, constructing, and re-constructing bonds with the ethnic-religious groups; shaping the cultural elites by non-dominant groups.We also invite papers dealing with the question of interaction between the urban environment and artistic milieus. Inquiries into the role of Lwow/Lemberg/Lviv, but also perceptions and reflections of the city by  Jewish and Ukrainian artists and architects are thus especially encouraged.

The conference participants are encouraged to discuss a broad variety of
matters concerning creative individuals and groups, including, but not limited to:

1.    Emancipation and education: artists, architects, and engineers.
2.    Individual professional activity and career: graphical arts, painting, sculpture, photograph, decorative art, architecture and engineering; interaction of arts; religious and secular art; funerary art.
3.    Architectural presence and visibility in the cityscape: representation of minority in modern city; leaving and retaining the frameworks of the traditional environment.
4.    Education in traditional arts and crafts. Individual and group
reaction to the numerus clausus restrictions.
5.    Defining and shaping heritage: documentation, preservation, and promotion of landmarks
6.    Artistic and professional milieus of a non-dominant group: professional unions; associations; exhibitions; competitions; art critics; press.
7.    Supportive communities: welfare and social care, from orphanages to academic houses and spas.
8.    Art collecting and patronage. Private collectors. Jewish Museum and National Ukrainian Museum. Libraries.
9.    Circles of identities: local, imperial, national, and universal identity. Loyalty and nationalism in art.
10.    Relations with the "others": tutorship, co-operation, sympathy, competition, and separation.
11.    Prejudices in the realm of art, architecture and beyond: anti-Semitism, ethnic and religious discrimination.
12.    Constructing "national styles": defining Jewish and Ukrainian art and architecture.
13.     Destiny of Jewish artists and their works in Holocaust. Ukrainian artists and architects in the wars and under occupations: World Wars I and II.
14.     Post-Lviv/Lemberg/Lwow stories: artists and architects outside of Lviv.

Languages of the conference: English and Ukrainian.

Abstracts (up to 200 words) of a twenty-minute presentation with a short CV should be submitted (as an attached MSWord documents) by April 1, 2012 to Dr. Iryna Matsevko, the Academic Coordinator of the Center for Urban History at i.matsevko@lvivcenter.org, with "Conference" in the subject header.

Applicants will be notified of the decision regarding their proposals by May 1, 2012.

Limited funds for reimbursement of travel expenses and accommodation are
available. No conference fee will be charged.

Sunday, January 29, 2012

Publication: The Turei Zahav (Golden Rose) Synagogue in L'viv

Publication: The Turei Zahav (Golden Rose) Synagogue in L'viv


L'viv, Ukraine. Golden Rose Synagogue ruin. Photo: Samuel D. Gruber (2008).

Ukraine-born, L'viv-trained and Israeli-based architectural historian Sergey R. Kravtsov, has been studying the history and architecture of Golden Rose Synagogue, destroyed in the Second Wold War and surviving as a ruin, for at least a decade.  He has now produced a handy history of the building based on a variety of source materials and recent archaeological excavations that must be the starting point for any consideration of its future conservation, rebuilding and use -- for religious, commemorative or cultural purpose.

Sergey R. Kravtsov,   Di Gildene Royze. The Turei Zahav Synagogue in L’viv (Petersberg: Michael Imhof Verlag, 2011) Kleine Schriften der Bet Tfila – Forschungsstelle für jüdische Architektur in Europa, herausgegeben von Aliza Cohen-Mushlin und Harmen H. Thies. Band 3. ISBN 978-3-86568-138-6 

L'viv, Ukraine. Golden Rose Synagogue.  Commemorative plaque at synagogue ruin. Photo: Samuel D. Gruber (2008).
L'viv, Ukraine. Golden Rose Synagogue ruin.  Sergey Kravtsov discussing the building's history and architecture. Photo: Samuel D. Gruber (2008).
    
The book is the newest publication on historic synagogue architecture from Bet Tefila - Research Unit for Jewish architecture in Europe.  Bet Tefila is a joint effort of the Technische Universität Braunschweig and the Center for Jewish Art, Hebrew University, Jerusalem.

The future treatment of the ruins of the Turei Zahav Synagogue in L'viv, Ukraine  (Lemberg, Lvov) is still being debated.  For the last three years at least the historic synagogue has been a focal point for all discussions of commemoration, preservation, and development in the Old Jewish Quarter of the historic, once multi-ethnic,  Renaissance planned city.  The discussion is an important one for the future of the building, for the memory of a lost population and for the direction this beautiful city will take in coming years.  Will it be a welcoming city of art and culture on the border between east and west?  Or, will it be an insular, xenophobic, and nationalist center.  In truth, the future L'viv will probably be a combination of both, and much will depend on broad political and economic trends in Ukraine and Europe as on rational or emotional appeals. But the ground work has been laid since 2008 for a progressive and inclusive recognition of the city's diverse and complex past, and how this past can serve present and future needs.

L'viv, Ukraine. Golden Rose Commemorative plaque at synagogue ruin. Photo: Samuel D. Gruber (2008).
L'viv, Ukraine. Golden Rose Synagogue ruin. Photo: Samuel D. Gruber (2008).
Kravtsov's well-illustrated account shows the synagogue in the city maps, architectural drawings, photographs, and numerous works of art depicting the structure during particular stages of its history. As much as possible, computer-aided reconstructions recreate the synagogue in its original state.

Wednesday, November 4, 2009

Conference: Lviv Meeting for Museum Workers with Judaica Collections


Lviv, Ukraine. Judaica items in the collection of the Ethnographic Museum. Photos: Samuel D. Gruber, 2000.

Conference: Lviv Meeting for Museum Workers with Judaica Collections
by Samuel D. Gruber

The Faina Petriakova Center in Lviv (UKraine) will host a one-day conference on November 23rd dedicated to the methodology of the display of Judaica,Jewish history, culture and religion in the museums of Ukraine. The organizers tell me the 45 museum workers
from different cities will participate, and probably 10-15 local professionals from L'viv.

The conference comes at at time when there is growing talk, though still few resources, of establishing Jewish exhibitions and museums in several cities. At present, however, most Judaica collections in Ukraine remain in storage or in exhibitions hardly changed since the fall of Communism.

This conference is an important step in the development of the professional network of Judaica curators in Ukraine, and also an important opportunity to develop standards for information, conservation, interpretation and exhibition of Jewish history and art. It will also be important for this group to establish ongoing relations with Jewish museum professional groups elsewhere in Europe, Israel and the United States.

The language of the conference is Ukrainian, though special arrangement can be made for foreign museum professionals interested in participating. For more information contact Meylach Sheychet at meylach@mail.lviv.ua

The scheduling of the conference is at the same time as the annual meeting of the Association of European Jewish Museums. While at present there is no overlap between the participants in these event, though I hope in the future there will be an opportunity for the two conferences and their sponsors to connect.

The Faina Petrakova Center is named after art historian Faina Petriakova, former Lviv curator, who made known to the world the Judaica collection at the Ethnographic Museum in Lviv. I remember well Faina's tenacity in arranging my viewing of the collection at the Museum, against the wishes of the then-director, during my first visit to Lviv.

In 2004, as part of the discussion about founding the Center, I wrote "Faina’s efforts were recognized internationally, but her efforts and expertise were largely thwarted locally within the local museum system. This situation was just beginning to change at the time of her death. It is important to build upon Faina’s achievements, and the establishment of the Research Center as a central coordinating point for activity in the realm of Jewish heritage in the L’viv area is a crucial step. Similar efforts have taken place in other countries where established museums, university departments or Jewish communities themselves, have taken the lead. Unfortunately, this had not been the case in Ukraine in general, and certainly not in L’viv or elsewhere in Western Ukraine, once a thriving center of Jewish Europe."

The Center's organization of this conference continues Faina's legacy. I can foresee several immediately results of this meeting - including the establishment of a network connected by email, and a compilation of a (at least briefly) descriptive list Judaica collections and exhibitions in Ukraine.

Monday, November 10, 2008

Ukraine: Ruth Ellen Gruber's Observations on Jewish Heritage Remnants in Ukraine

Ukraine: Ruth Ellen Gruber's Observations on Jewish Heritage Remnants in Ukraine

I have an unusual relationship with my big sister - journalist and author Ruth Ellen Gruber. Not only are we siblings, but we are friends and colleagues. A series of unexpected career turns 20 years ago have made us both "professional Jews," in that we are both been active participants (and sometimes observers) in the worldwide resurgence of interest in the fate of Jewish material culture.


Two weeks ago, however, we participated as speakers at the same conference for only the second time (that we can remember). Ruth gave the keynote address at the conference in held in L'viv, and I spoke about "Can Lviv be Developed as a Jewish Heritage Center." Since the conference Ruth has posted several interested pieces on her blog.
The latest: "Ukraine - On its Crumbling Jewish Heritage," which I recommend (and not just because it mentions my own work) includes some passages from her keynote address.

Thursday, November 6, 2008

Jewish Heritage Signage: Lviv and Krakow, A Tale of Two Cities

Jewish Heritage Signage: Lviv and Krakow, a Tale of Two Cities
by Samuel D. Gruber

Jewish Heritage Route sign in Kazimierz, Krakow (Poland)

In my presentation last week in Lviv,Ukraine, at the Center for Urban History of East Central Europe, I addressed the practical and theoretical questions of "Can Lviv Be Developed as a Jewish Heritage Center?" While part of the presentation and paper dealt with historical, political, and economic questions, a good deal of what I said was about simple practical solutions. I have been traveling to Lviv for almost a decade and in that time I have seen no significant positive change in the identification and reclamation of Jewish space, with the exception of the marking of the Kleparov Train station, from where Jews were deported.


Inscribed commemorative plaque at the Kleparov Train Station, Lviv

There has been talk and there have been legal actions, but a visitor to the city today receives as little information about the Jewish past as he/she would have ten years ago, or even under Communism. There were many talks during and after the conference that suggest there might be changes, and I have and others have agreed to be part of an advisory committee to move these suggestion forward. But for now, the visitor is left very much at sea when searching for the location and history of Jewish heritage sites. To my knowledge, the only signs or plaques about Jewish heritage in Lviv are a few memorial inscriptions. These are commemorative, not didactic signs, and they focus more on the destruction of Jewish heritage rather than explaining the circumstances of Jews in the the city for centuries. Still, they are a welcome start, and an important recognition of the fate of tens of thousands of the city's Jews during the Holocaust.

There are three easy things that can be done almost immediately to reverse this situation. They are

1) the preparation and distribution of reliable guides and maps locating Jewish sites,

2) the preparation of on-line resources with guides, maps, histories and illustrations,

3) the installation of informative signs identifying the location of Jewish historic sites in Lviv.

Even though the Jewish past of Lviv is not unified and Jews themselves were often divided (most dramatically in the conflicts that led to the murder of Progressive Rabbi Abraham Kohn in 1848), it is important today that Jewish heritage take on a unified identity, so that all sites and program can be promoted and developed together, and that each historic site in some way is used to promote the others. In short, Lviv’s Jewish heritage sites needs to be unified into a route that tells a coherent narrative. For the more interested and more discerning, there can be series of routes that delve a more deeply into the history, religion and art of Jewish Lviv. The concept is not difficult, and it has been pioneered already in many cities for many reasons and even in some cities for Jewish past.

In some cities, such as Krakow (Poland) some of what is in the guidebooks has also been created as signage on the streets themselves. I include here photos from Krakow, Poland, where since the mid-1990s there have been many efforts to both identify and reclaim Jewish historic sites. There have been guidebooks and annotated maps, the most recent a highly detailed map and guide of Jewish Kazimierz written by Jakub Nowakowski and produced by the Galicia Jewish Museum). In Krakow, the signage route for Jewish Kazimierz is just one of many designated historic routes in the city (there is a University Route, a Royal Route, etc.). Thus Jewish history is integrated into the overall history of the city and its populations. The same should be done in Lviv.


Jewish heritage site signs in Krakow, Poland

Happily, there is some movement to achieve these tasks in Lviv. The "Lviv Interactive" section of the website of the Center for Urban History of East Central Europe is expediting the inclusion of information about Jewish heritage sites. According to the Deputy Mayor of Lviv, the city is developing a comprehensive signage program for historic sites, too. But if they decide to install all the signs at once,I still expect a long wait.

This blog will keep you posted...

Wednesday, November 5, 2008

Publication: New Book on Lviv (Lemberg, Lwow) Synagogues


Publication: New Book on Lviv (Lemberg, Lwow) Synagogues

(ISJM) A new book by architectural historian Oksana Boyko (in Ukrainian) has been published by VNTL-Klasyka Publishers
that documents the history and architecture of the known synagogues - standing and destroyed - of Lviv (now Ukraine) the former Jewish religion and culture capital of Galicia also known as Lemberg (German) and Lwow (Polish). The book's publication coincided with the conference at the Center for Urban History of East Central Europe that presented, for the first time in Ukraine, the Urban Jewish history of L'viv and other centers in the a broad multi-discipline context.

Boyko, of the Institute Ukrzakhiproektrestavratsia (Institute for Protection of Monuments) in Lviv, has compiled information, original plans and drawings and a range of photographic materials that provide a partial documentation of the city's many former synagogues and prayer houses. All but two of these were destroyed during the German occupation of the city. One synagogue - the Tsori Gilod prayer house built between 1924 and 1931 still stands and is in use. Another synagogue in the Jewish settlement area of the "Zhovkva suburb" is also extant, but is used only as the site of a Jewish club that meets only occasionally. The famous TaZ or Golden Rose synagogue remains a partial ruin in the area of the Old Jewish Quarter. The fate of this historic building was much discussed at the conference and will be the subject of a future blog entry.

Boyko's work is not long, and I hope it will soon be translated. In the meantime, the many illustrations are themselves instructive. Thanks to the bureaucratic diligence of Hapsburg Lemberg, good measured plans and drawings exist in the archives for many of the buildings discussed, including the important domed classical style Temple, built in the 1840s (photo, above), which if it survived would probably be referred to by scholars and visitors almost as much as the Seitenstettengasse synagogue in Vienna, which influenced the Lemberg Reform Temple design. .

The book is presently only available in Ukraine. The ISBN number is: 966-8849-30-2. To order contact VNTL-Klasyka Publishers at order@vntl.com or go to www.vntl.com


Thursday, August 7, 2008

Ukraine: Lest We Forget Lviv’s Krakovsky Jewish Cemetery – Now a Bustling Marketplace

Ukraine: Lest We Forget Lviv’s Krakovsky Jewish Cemetery – Now a Bustling Marketplace
by Samuel D. Gruber

Visitors to L’viv (formerly Lvov, Lemberg) for the Urban Jewish Heritage and History in East Central Europe, Lviv (Ukraine), October 29-31, 2008, will have a hard time finding the old Jewish Cemetery of that legendary city of Jewish life and culture. That’s because the famous Krakovsky Cemetery (probably founded no later than the 15th century) has been hidden under an expanding marketplace (known as the Krakivsky Market) since early 1990s (I took these photos in 2006).


The cemetery was devastated during the German occupation of then-Polish Lvov during the Second World War when the Jewish population of the city was killed, and the thousands of gravestones of the cemetery were removed, presumably for building and paving materials. After the war, when Lvov (now Ukrainian L’viv) became part of Soviet Ukraine, the cemetery area was used as an open marketplace. After the fall of Communism and independence of Ukraine in 1991, free-market and black-market commercialism increased on the cemetery site. Very quickly what had been an open space for casual display of fruits, vegetables, and flea market items became a bustling market area of movable stalls, booths and semi-permanent structures.

The small Jewish community of L’viv protested, and asked for the cemetery to be returned to the community, and respected as a burial ground. In 1995 the city cited costs for moving the market at between $1 million and $2 million US dollars. Continued negotiations led to the recognition of the historic character of the site, and the signing of a protocol in 1996 stating the intent that the market should be moved and the cemetery restored in some way, to reflect its religious and historic significance. Several important political figures in the US and Ukraine (including now-New York Senator Charles Schumer) weighed in on the issue, calling for the restoration of the cemetery.

In 1997 US AID prepared a detailed review of the situation, reporting local estimates for the cost of removal of the market to another location, creation of the new market, and some form of restoration of the cemetery at between $4 and 12 million. Part of this was economic realism, but part was probably an attempt at political extortion. The municipality could say they wanted to do the right thing, but could not afford it.

In any case, no agency – private or public - was willing to put up that kind of money. And after a few years without moving, the market began to expand. What was once temporary has taken on a more and more permanent appearance. Part of that has been due to the erection of more and more market buildings, many of which have required some disturbance of the below-ground burials to allow their construction.

Now, a number of circumstances have people looking at the situation again. Some successfully negotiated projects removing structures from cemeteries in Poland have encouraged cemetery preservation groups. Renewed disputes about built-over cemeteries in Thessaloniki (Greece) and Vilnius (Lithuania) have brought the situation in L’viv back in mind to diplomats still pressing for property restitution laws and settlements (there is a big conference on this in Prague in June 2009). There is talk of a new international committee being formed to press to the issue, which some rabbinic leaders and governmental officials have been studying.

For now, the bustling market is more successful than ever, and more an essential, and seemingly traditional, part of L’viv’s urban life. There are absolutely no indications anyway - signs, symbols, memorial – about the history of this site and guide books and on-line tourist sites rarely mention anything more than the colorful produce and handcrafts for sale.

Readers who have information or questions about the cemetery are encouraged to contact ISJM.

Friday, July 25, 2008

Conference: Urban Jewish Heritage and History in East Central Europe, Lviv (Ukraine), October 29-31, 2008

Conference: Urban Jewish Heritage and History in East Central Europe, Lviv (Ukraine), October 29-31, 2008

In October 2008, the Center for Urban History of East Central Europe will hold an international conference dedicated to Urban Jewish Heritage and History in East Central Europe. The conference will coincide with the opening in Lviv of the exhibit Wo ist Lemberg? that originated in Berlin.

The conference is the first such gathering in Lviv and one of the first in Ukraine, and will address the physical and cultural legacies of the Jewish civilization destroyed by the Holocaust have long been neglected in Eastern and Central Europe. One goal of the conference is to bring the experiences of other Jewish heritage centers to Ukraine, where planning, preservation and education have lagged since 1989.

According to the organizers, “With the end of the Soviet Union and the fundamental liberalization of politics and society, which accompanied it, however, the region's Jewish heritage, too, has entered processes of rediscovery and reconstruction. With respect to urban space, the regeneration or revitalization of historic Jewish quarters has become one main focus of attention, where several complex and challenging fields of theory and practice overlap: The relationship between the past, memory, and history; questions of reality, authenticity, and virtuality; urban-planning and economic aspects of regeneration. The Center seeks to bring together an interdisciplinary as well as international group of scholars and practitioners to discuss these issues in Lviv, which used to be a main center of Jewish urban life in East Central Europe but which is also still marked by oblivion and neglect of this past.”

My sister, Ruth Ellen Gruber, author of Virtually Jewish: Reinventing Jewish Culture in Europe (2001) and Jewish Heritage Travel, 4th edition (2007) will keynote the conference.

I will be speaking on “Jewish Heritage in Lviv in the Context of International Experience.” I'm using the months leading up to the conference to reacquaint myself with the most pressing Jewish heritage issues in Lviv (former Jewish cemetery, now the Krakowski Market; the TaZ synagogue and adjacent areas; Judaica collections in musuems and aechives; the Tzori-Gilad Synagogue; and the Janowska Road Concetration/Death Camp). Most important is to look to see how to knit these sites together to create a meaningful hertiage landscape for local people and visitors alike. Changing hearts, minds and pocketbooks in Ukraine is not easy - but there have been enough small successes to make us hope for bigger changes in the future.

Other anticipated speakers at the conference include Eleonora Bergman (Warsaw), Barbara Kirshenblatt-Gimblett (New York University), Sabine Offe, Felicitas Heimann-Jelinek (Vienna Jewish Museum), Cilly Kugelmann (Berlin Jewish Museum), Vasyl Rasevych, Shelley Salamensky, Michał Szulc, Sofiya Grachova, Sergey Kravtsov, Rudolf Klein, Thomas Hubka, and Bob Martens.

For details and updates check at: http://www.lvivcenter.org/en/conferences/callforpapers/

Monday, July 7, 2008

Ukraine: New Developments in Jewish Quarter in L'viv

Ukraine: New Developments in Jewish Quarter in L'viv
by Samuel D. Gruber

(ISJM) It is period of uncertainty for the future of the Jewish quarter of L'viv, Ukraine, as properties in and around the historic district become available for new development, including lots adjacent to the site of the 16th century Golden Rose Synagogue. So, last week in L'viv, protagonists involved in the planning and development of the future of the city's historic Jewish neighborhood (part of the larger historic center which is a UNESCO designated World Heritage Site) gathered together for a "roundtable" discussion sponsored by .The Center for Urban History of East Central Europe (see: http://www.lvivcenter.org/). Part of the regular Kolo Lvova series, last month's topic was "Around
Staroevreiska Street: At the Heart of Lviv's Jewish Heritage," and drew about 20 people, most of whom are in some way stakeholders in the future of the area. This discussion was seen as an important step forward for a area with a contested history, and where there has been a lack of clear process in planning efforts.

Later this fall (October 29-31) The Center for Urban History will also host an exhibition about historic Jewish L'viv (also known as Polish
Lvov
and Austrian Lemberg) and an international conference "Urban Jewish Heritage and History in East Central Europe."

Participants in last week's discussion included a representative of the city administration; Jewish activist Meylakh Shekhet, who heads the "Yevreiske Vidrodzhennia" (Jewish Revival & Rekindling the Jewish Flame), a Jewish cultural organization housed in premises adjacent to the historic Golden Rose (or TaZ) Synagogue; and Yuri Lukomski, the local archaeologist now at work excavating lots in the area. There were also several writers, artists, and museum experts present.

Importantly, the meeting also drew the local developer who recently purchased a property north of the former synagogue with the intent of constructing a hotel. That project and its impact on the
archaeological record and on the overall appearance of the neighborhood has been the cause of great concern. It is hoped that public interest – locally and internationally – in the fate of the
district will convince the developer to cooperate with local historians, archaeologists and preservationists to create a project appropriate for the location.

The Center for Urban History provides a "neutral" space in L'viv where complex and often conflicting attitudes towards the city and its history can be explored. While there was no specific goal for the discussion, and no specific results came of it, the organizers and participants believe it is an important stage in developing a consistent and open process. . Tarik Amar, Academic Director of the Center, reports that there are plans to form a group of those interested in Jewish heritage to continue these discussions.

I will be reporting more about Jewish L'viv in upcoming posts.