Showing posts with label TaZ Synagogue. Show all posts
Showing posts with label TaZ Synagogue. Show all posts

Monday, May 11, 2009

Synagogues and Cemeteries by Shirley Moskowitz Gruber




Top: Shirley Moskowitz. Interior of Synagogue, Pinczow (Poland) and
Below: Cemetery, Rymanow (Poland). Monotypes, 1993.
Collection of Jacob W. Gruber.


Synagogues and Cemeteries by Shirley Moskowitz Gruber
by Samuel D. Gruber

It’s a day after Mother’s Day, but I would like to say something about my own mother, the artist Shirley Moskowitz Gruber (1920-2007). She was a great person and a great mom, but for the purposes of this blog (Jewish art and monuments) I’ll mention some of her artwork. Though she was best known for her landscapes and cityscapes – and especially her work in Italy from the 1970s until shortly before her death in 2007, she also over the years produced a significant number of works devoted to Jewish themes. Shirley was an artist who was Jewish – but not ostensibly or exclusively a Jewish artist. In fact, she never, as far I can recall created any Jewish ritual art or had much interest in it. She did over the years, however, produce several works the subjects of which were Jewish ceremonies. A good example of this is the lino-cut print of children in a Simchas Torah procession made in the early 1960s. This work, like much her output in those years centered on children – especially her own.

Shirley Moskowitz (n.d., early 1960s) Simchath Torah. Lino-cut print.
Collection of Samuel Gruber & Judtih Meighan)

Much later, beginning in the 1990s, she came back to Jewish themes because of the work of two of her children – my sister Ruth and I. In June 1993, she took a break from her work in Italy and traveled with Ruth by car through the Czech Republic and Slovakia to Poland, on her way to surprise me there (where I was leading a tour with Carol Herselle Krinsky sponsored by the World Monuments Fund). Along the way Ruth and Mom stopped at a lot of cemeteries and synagogues which Mom sketched or photographed, and then when she returned to her press in Morruzze (Italy), she produced a series of vivid monoprints recording and interpreting these scenes. A few year later, a visiting friend from Poland saw some of these works and insisted they be shown in Poland, and that began a ten-year traveling itinerary for the works organized by the Jewish Cultural Center in Krakow, that ended at the then-new Jewish Museum in Galicia.



These works have now returned to the family, but I thought I would show some of them here. Today, these scenes and many like them are well-known, but in 1993 they were still a representation of a lost and mostly forgotten world. Its importnat to me that Shirley viewed the remains with a sense of loss, but she also treated them as parts of the landscape as she did the ruins of Italy (or derelict buildings in Philadelphia) which she often painted.

For those who would like to know more abut the life and art of Shirley Moskowitz Gruber, the family has recently created a website. On this you can read an essay about her work that I wrote in 1996 for a retrospective exhibition on the occasion of her 75th birthday. There is also a lovely eulogy by Rabbi Laura Geller, and a memorial essay by Ruth Ellen Gruber. This is a work in progress – we are gradually locating her work and having it photographed. If any of my readers have memories of Shirley or her work, we invite you to contribute these to the site.

Monday, July 7, 2008

Ukraine: New Developments in Jewish Quarter in L'viv

Ukraine: New Developments in Jewish Quarter in L'viv
by Samuel D. Gruber

(ISJM) It is period of uncertainty for the future of the Jewish quarter of L'viv, Ukraine, as properties in and around the historic district become available for new development, including lots adjacent to the site of the 16th century Golden Rose Synagogue. So, last week in L'viv, protagonists involved in the planning and development of the future of the city's historic Jewish neighborhood (part of the larger historic center which is a UNESCO designated World Heritage Site) gathered together for a "roundtable" discussion sponsored by .The Center for Urban History of East Central Europe (see: http://www.lvivcenter.org/). Part of the regular Kolo Lvova series, last month's topic was "Around
Staroevreiska Street: At the Heart of Lviv's Jewish Heritage," and drew about 20 people, most of whom are in some way stakeholders in the future of the area. This discussion was seen as an important step forward for a area with a contested history, and where there has been a lack of clear process in planning efforts.

Later this fall (October 29-31) The Center for Urban History will also host an exhibition about historic Jewish L'viv (also known as Polish
Lvov
and Austrian Lemberg) and an international conference "Urban Jewish Heritage and History in East Central Europe."

Participants in last week's discussion included a representative of the city administration; Jewish activist Meylakh Shekhet, who heads the "Yevreiske Vidrodzhennia" (Jewish Revival & Rekindling the Jewish Flame), a Jewish cultural organization housed in premises adjacent to the historic Golden Rose (or TaZ) Synagogue; and Yuri Lukomski, the local archaeologist now at work excavating lots in the area. There were also several writers, artists, and museum experts present.

Importantly, the meeting also drew the local developer who recently purchased a property north of the former synagogue with the intent of constructing a hotel. That project and its impact on the
archaeological record and on the overall appearance of the neighborhood has been the cause of great concern. It is hoped that public interest – locally and internationally – in the fate of the
district will convince the developer to cooperate with local historians, archaeologists and preservationists to create a project appropriate for the location.

The Center for Urban History provides a "neutral" space in L'viv where complex and often conflicting attitudes towards the city and its history can be explored. While there was no specific goal for the discussion, and no specific results came of it, the organizers and participants believe it is an important stage in developing a consistent and open process. . Tarik Amar, Academic Director of the Center, reports that there are plans to form a group of those interested in Jewish heritage to continue these discussions.

I will be reporting more about Jewish L'viv in upcoming posts.